A new camera from Olympus will be released soon: the Olympus OM-D, styled after the classic OM-1 manually operated 35mm single-lens reflex camera. The Olympus advert features the words "Oh My Goodness", with the O and the M highlighted in bold. The OM-1 is a 35mm SLR film camera harking back to 1972. It's likely that the new camera would directly compete with the Fujifilm X Pro1, which was announced at CES, and also features retro styling and interchangeable lenses.

According to 43rumors, the "New Olympus OM video quality is better than on the GH2!" - but what does that mean exactly? First of all, Olympus is said to have reduced the "jello effect" as well as improved the dynamic range of the sensor. The question remains, what's the new sensor that could achieve such specs?

Here is a roundup of the rumored specs:

Olympus OM-1n with 50 mm / f 1.8 lens. Body weight 510 g only Author: Jmak, Source: Wikipedia

Rumours suggest that the OM-D will be presented on February 8th, during the CP+ photography show, taking place in Japan (home of Olympus).

Still, the Panasonic GH2 is a good choice for film makers and photographers alike (starting at $650 in the US and €695 in Europe), since it is currently cheap and has the same mount as the upcoming OM-D. If the OM-D firmware can be hacked remains unclear - it is a fact though, that hacking will take its time, since the Panasonic GF3 hack is also not even done yet.

1920x1080 Full HD (comparable to 2K)

Dell UltraSharp U2711 27-inch.

For the penny saver: you could use a Full-HD LCD Television (LED) with HDMI to monitor your edits. You can get them starting at $600 via Amazon US (starting at around 500€ in Europe). Since you might produce for TV or youtube anyway, this might be the best way to go, since it is also a cheap solution.

If you need to have a higher resolution (~2.5K 2560 x 1440) the Dell UltraSharp U2711 27-inch might be the Monitor you are searching for.

3K Footage (e.g. from the RED Scarlet-X)

IBM T221 22-inch QUXGA-W LCD Monitor

There is a 22.2" LCD Monitor with the resolution of 3480 x 2400 pixels - the Viewsonic VP2290B-2 22.2" and it's twin: the IBM T221. That's 9.2 Megapixels (!). The Viewsonic VP2290B-2 is available as Refurbished for $3.500 on Amazon, the IBM T221 is available used for $1.675.

You might still be lucky and get a bargain via eBay, though:

a) $1500 (€1.140) IBM T221 IPS, including a LFH-60 to DL-DVI Adapter

b) $600 for a Viewsonic VP2290b (!) with free shipping. Plus there are some more of that IBM monitors available from that seller.

4K Footage (e.g. from RED Scarlet, RED Epic, Arri Alexa, etc.)

Sony VW1000ES 4K Projector for $28.000. You might get second hand 4K Projectors starting at $2.000 already.

The EIZO DuraVision FDH3601 with a 4096 x 2160 resolution (2160p) sells for around 36.000$. You might be cheaper off with a 4K Beamer (Projector).

While the Sony VW1000ES 4K Beamer sells for around 28.000USD, the Christie Mirage S+4K 3D DLP Projector with 5000 Lumen sells used for $5,980.00 on Amazon. Still, the question is if you care about a second hand beamer: if you own 4K production equipment, you most likely have the moolah to get yourself a brand spanking new 4K projector as well.

5K Footage and above, up to 8K (e.g. from 5K RED Epic or 2x RED Epic)
If you want to go all way up to next-level 8K, you can get the recently announced 85 inch 8K Monitor. Make sure to already start saving some bucks, though.

Strangely, the trend of the past years seems to be in decreasing the pixel resolution on the displays (since there are mostly mobile screens deployed). We can expect a pixel bump in 2012 though, since the upcoming iPad 3 (and it is said also MacBook Air and MacBook Pro) will most possibly have Retina Screens with 2880x1800 pixel resolution (source: ArsTechnica).

Recommended Reading: make sure to read "The Truth About 2K, 4K and The Future of Pixels" for some background information on pixels and sensors.

Meet the new 5D Mark II Magic Lantern Unified from Andrew Reid on Vimeo.

here is out only wanted feature:

* more work on HDMI output for the 5DMKII so it is fully usable with the Atomos Ninja

You can support the development by sending them a small donation: http://goo.gl/gvD8Q. Here is the original sendout from the magic lantern user group:

Following the small, but positive feedback from this thread [ http://bit.ly/ml-unified-5D2 ], I'm glad to announce the next long-term direction of Magic Lantern: merging the AJ 5.x firmware with the unified one currently running on smaller cameras.
I need your help. As explained in the previous post, a good port (one suitable for paid jobs) requires me having a camera for testing. On 550D/60D ports, crashes are almost non-existent, audio meters are calibrated, HDMI monitors are fully usable and so on. So, if you like this idea, you may help me buy a 5D2 by:

- a small donation (you don't need a PayPal account for this): http://goo.gl/gvD8Q
- or by spreading the word, since right now there are not many users familiar with both ML versions

Feature-wise: I'd like to ask the users who have tried both AJ and Unified ML (especially those using both versions in a regular fashion) to comment on this. Main question: what's the best of both worlds? What do you like better in AJ 5.x and what do you like better in Unified? Big thanks to all ML community for making it possible!
Alex

Magic Lantern Unified looks promising: High Dynamic Range VIDEO for Canon cameras:

============== UPDATE ================
available for download now!
magiclantern.wikia.com/wiki/Release_2011Dec22
======================================
Demonstration of the new and free High Dynamic Range VIDEO feature for control over ultra contrast situations.

Discussion, workflow, RAW footage, FAQ:
vimeo.com/groups/74140/forumthread:250295

Magic Lantern is a custom firmware add-on for Canon dSLR cameras. It is not a hack, or a modified firmware, but it runs alongside Canon's own firmware, booting from the card every time you turn the camera on. The only modification to the original firmware is the ability to boot software from the card.

magiclantern.wikia.com/wiki/Unified

HDR Video: what does it mean? It does not output pre-processed HDR video from the camera, rather it blends the alternative high ISO / low ISO frames together in post (see this discussion thread at Vimeo). There is of course a difference if you use two Canon 5D MKII for generating a HDR movie (as this guy did) compared to this "hack", although the development of Magic Lantern continues to impress!

Keep on rocking! We can't await clean HDMI output for the 5DMKII to use it with the Atomos Ninja (if this hack is possible at all...)

Canon also announced a real 4k Camera to be available somewhere in the next year. So 2012 could become the real year of DSLR Video.

Here is the original press release from RED.COM
(via red.com/press):

RED STUDIOS HOLLYWOOD, Hollywood, Calif., November 3, 2011 – RED Digital Cinema has officially released its third industry-changing camera, the Scarlet-X. With burst modes up to 12 fps at full 5K resolution alongside 4K motion capture from 1-30 fps, the camera allows professional photographers and cinematographers to simultaneously capture motion footage and still content. Never miss a shot. Ever. Scarlet-X’s compact design, endless modularity and advanced feature set provide a future-proof solution catering to every shooter’s needs, leaving one-dimensional DSLRs and 1080p camcorders in its wake. Priced at under $10,000, Scarlet-X advances RED’s vision to democratize superlative cinema and professional photography.
Scarlet-X comes standard with a Canon EF or PL mount, which can be swapped easily using Scarlet-X’s interchangeable lens mount system. Panavision, Anamorphic, and Nikon lenses are also compatible with the camera, providing ultimate freedom when it comes to creative decision-making. The addition of HDRx reaches up to 18 stops of dynamic range, bringing digital images closer than ever to the natural perception of the human eye.
With the innate ability to capture 5K REDCODE RAW stills and true 4K motion footage, Scarlet-X produces visually lossless files that can easily be graded and finished. Combining all of the finest qualities of cinema and photography into one camera, Scarlet-X allows the customer to have the best of both worlds. Compromise nothing. Shoot everything.
“The future is dependent on those who push… not those who react,” said Jim Jannard, founder of RED Digital Cinema.
RED is now taking orders on RED.com for Scarlet-X.
Since delivering their first camera – the RED ONE – in 2007, RED Digital Cinema has jumped ahead of the pack over camera companies that had dominated the market for decades. Feature films shot with RED cameras such as the Academy Award-winning movie “The Social Network” and the more recent “Contagion” have contributed to a lineage of cinematic success. Since the 2011 introduction of DSMC (Digital Still & Motion Camera) technology, photography icons like Bruce Weber, Greg Williams and Inez + Vinoodh have used RED cameras to shoot covers and spreads for the some of the most influential fashion magazines in the world.
Follow the announcement at REDUSER.net/SCARLET.

[Update 20.11.2011] Philip Bloom posted a balanced take on the Scarlet. Worth a read.

Recommended reading on this topic: The Truth About 2K, 4K and The Future of Pixels

Canon announced the company’s newest flagship professional DSLR today, the 18 megapixel full-frame Canon 1Dx. The 1Dx will sit atop Canon’s model line as an update to both the Canon 1Ds and the 1D Mark IV, and is expected to debut for $6800 body-only in March 2012.

The 1Dx will feature dual DIGIC 5 processors, which Canon claims offer approximately 17 times more processing power than the previous generation DIGIC 4s.

Those looking for an upgrade to the 5D Mark II for video capture may find a friend in the 1Dx, as it is capable of 1080/30p/25p/24p HD video capture, with options for 720/60p/50p as well. The image sensor has been designed with video in mind, meaning that downsampling errors and the resultant moire effect should be significantly reduced. The file system’s 4GB limit has also been worked around, with an automatic file splitting functionality enabling up to 29 minute and 59 seconds of continuous video capture.

The camera also supports two methods of SMPTE-compliant timecode embedding, Rec Run and Free Run, to ease syncing up multiple cameras in post. The 1Dx will also support both intraframe (ALL-i) and interframe (IPB) compression, to aid post-production and editing workflows, depending on need. The camera also offers manual audio level control both before and during video capture with the internal monaural mic or an external stereo microphone.

Canon's all new full-frame CMOS sensor ensures that video footage captured on the EOS-1D X will exhibit less moiré than any previous Canon model, resulting in a significant improvement in HD video quality. A desired feature for many documentary filmmakers using Canon DSLRs was to enable recording beyond the four gigabyte (GB) file capacity and the EOS-1D X is the answer. The new camera features automatic splitting of movie files when a single file exceeds 4GB. The new file splitting function allows for continuous video recording up to 29 minutes and 59 seconds across multiple 4GB files; no frames are dropped and the multiple files can be seamlessly connected in post production, providing filmmakers the recording time they want in the same convenient DSLR form factor. The camera records Full HD at 1920 x 1080 in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); and 720p HD or SD video recording at either 50p or 60p (59.94). SD video can be recorded in either NTSC or PAL standards.

The Canon EOS-1D X also includes manual audio level control, adjustable both before and during movie recording, an automatic setting, or it can be turned off entirely. A wind filter is also included. Sound can be recorded either through the internal monaural microphone or via an optional external microphone through the stereo mic input.

The Canon 1Dx offers USB transfer, but will also sport a wired gigabit Ethernet port for stable wired transmission of video and still images at up to 1000BASE-T transmission speeds. That should allow not only faster transmission of files, but longer, more practical connection solutions for professionals. For on-camera storage, the 1Dx will eschew SD storage in favor of dual Compact Flash cards.

The low-light capability of the EOS-1D X is evident in its incredible ISO range and ability to photograph in extremely low-light conditions. Adjustable from ISO 100 to 51,200 within its standard range, the new model offers a low ISO 50 setting for studio and landscape photography and two high settings of 102,400 at H1 and 204,800 at H2, ideal for law enforcement, government or forensic field applications.

(via usa.canon.com)

[UPDATE] Nikonrumors posted More Nikon D800 bits and pieces: 100% Viewfinder coverage, improved AF with face recognition, SD+CF dual memory card slots as well as a USB 3.0 possibility. The question remains, why not CFAST? On another post, the ISO range is said to be 100 – 6400, ISO LO @ 50 and ISO HI-2 @ 25600. We can only wait and see...

Everyone's talking about the new iPhone 4S that was announced by Apple recently. But is there more to it than improved optics? Even if not, the camera is a huge improvement over the previous model: 1080p video recording, 8 Megapixel photo sensor, f/2.4 aperture.

Behind all the updates, the most interesting is HSDPA support. In countries such as Austria or Japan, where HSDPA is widespread, this is a very welcome hardware upgrade. Still, why is there no HSPA+ support? In cities with a weak broadband coverage (everything above a few MB upstream) - such as Vienna, this is really akward. We still have to fall back to the Samsung Galaxy S2 i9100, which offers HSPA+ among other great features. So the "only" killer feature of the Apple iPhone 4S remains the greatly improved Camera - which is to question, concerning the price of such a gadget. An Amazon Search for the iPhone 4S yields no results, obviously, since the device is said to be available from mid October.

Our recommendations: wait for the iPhone 5 and get some real gear instead.

1) Get a Canon PowerShot S100 for Photo and Video
2) Get a SONIM XP5300 3G FORCE if you need a phone that actually works.

Among the lenses, a reworked Rodenstock 50mm f/0.75 for Micro Four Thirds, that fits on your camera without the need of an adapter. The lens focuses from 3ft to infinity. Wide open, images are very soft but unlike C-mount lenses the circle covers the full m43 size. Here are some flickr examples.

The 10.7.1 update is recommended for all users running OS X Lion and includes general operating system fixes that enhance the stability and compatibility of your Mac, including fixes that:

For detailed information on this update, please visit this website: http://support.apple.com/kb/HT4764.

There is not much fixed, at least not for the reported issues such as SSD TRIM support for non-apple SSDs and the well known flash issues.
Still, Seems more stable. There is a seperate update for 10.7.1 Server and another update specific to the latest MacBook Air and Mac mini models, adding a few additional fixes. (via macrumors)