CODED CULTURES. Creative Practice out of Diversity

MO 4. April  2011, 19.00 Uhr

KUNSTHALLE WIEN - project space karlsplatz http://esel.io/termin/50759

Zur Präsentation sprechen: Christian Reder (Universität für angewandte Kunst Wien), Georg Russegger (Coded Cultures), Matthias Tarasiewicz und Michal Wlodkowski (5uper.net)

Eine Veranstaltung im Rahmen der Kooperation zwischen der Universität für angewandte Kunst Wien und der Kunsthalle Wien angewandte@project space mittwochs (www.dieangewandte.at)

http://j.mp/codedbook
http://codedcultures.org

"Vague Terrain is a web based digital arts publication that showcases the creative practice of a variety of artists, musicians and scholars. The project aspires to apply the focus and methodologies of academic and art journals and the tenacity and specificity of independent record labels to examine contemporary digital culture in an immediate and accessible manner. Content consists of curated visual, audio and written works, and now a companion blog. For better and worse this project is neither peer reviewed nor funded."

The current issue of the journal, #15, focusses on the .microsound community and especially on "sub-atomic" musical aesthetics and a window into this globally distributed community of electronic musicians.

"The promise of technology had failed us, leaving us to choose between two paths: the ivory tower of sterile academia or the seizure-inducing din of the dance club. Both paths, with a few exceptions, had become formulaic and resistant to innovation.
As a result, the musical malcontents among us began to look for ways to disrupt, subvert, and deconstruct digital audio in hopes of finding new ideas and sounds within."

Announcing Vague Terrain 15: .microsound

The latest of edition of Vague Terrain is dedicated to celebrating the tenth anniversary of the .microsound community. Guest curated by the American composer Kim Cascone, the issue provides a range of commentary and context on "sub-atomic" musical aesthetics and a window into this globally distributed community of electronic musicians. In Cascone's own words .microsound is a fertile middle ground between "the ivory tower of sterile academia" and "the seizure-inducing din of the dance club". For those unacquainted with this zone of musical production, this collection of work provides a perfect introduction.

Featuring text & video contributions by Ben Neill, Charles Turner, Dextro, Joanna Demers, Pere Villez, Thanos Chrysakis, Thomas Bey William Bailey and William L. Ashline.

Feature audio contributions from Mike Rooke, Lubrication, Ronnie Cramer, [ruidobello], Richard Lainhart, sound art, TomDjll, Brett Ian Balogh, Scant Intone, Yota Morimoto, Jorge Castro, Joaquin Gutierrez Hadid, Francesco Rosati, Asferico, Water Falls, Yann Novak, John Hanes, Epoch_Collapse, Jhenner Gayap Benadrilled, Skjølbrot, Markus Jones, Jon Hawken, Adern X Fades 4:38, Julien Ottavi, Vanessa Rossetto, Kim Cascone, Larnie Fox, eddie135, Di.J Crisis, shg, Cheryl E. Leonard, Noe Cuellar, Gary R. Weisberg, Osvaldo Cibils, Kotra, Gintas K, John Kannenberg, Ricky Pannowitz, ocp, TheSAD, Margaret Schedel, Pereshaped, so/on, Eric Miller, Nux Vomica, v4w.enko, UmanoidSomeday, Epoch Collapse, Umanoid and Noe Cuellar.