The new ATI Graphics Cards from the 7970 series are super-fast, while being single GPU systems (the upcoming 7990 will be a dual-GPU 6GB Graphics Card). Besides being quite "cheap" (around 500€ in Europe, $589 in the US, they are said to be supported in OSX soon (see also a discovery by netkas) - until then, there is a current way how to use them (although not accelerated) with chimera. Props go to Shrapnl from the tonymac86 forum:

I was able to force my 7970 into a higher res (still unaccelerated of course) via the org.chameleon.boot.plist with the following:

<key>Graphics Mode</key>
<string>2560x1440x32</string></pre>

Of course, you can overclock the 7900 Series just fine. There are "Waterblocks" from Aquacomputer for the 7900 series, as outlined by Geeks3D.

Of course, the GPU runs quite fast without overclocking, still you could go faster. Below: Shamino has overclocked a Radeon HD 7970 under LN2 with the following clock speeds: 1650MHz for the GPU and 1800MHz real speed (7200MHz effective) for the memory. (Source: geeks3d)

Intel and Apple originally partnered on the new technology which has become standard across Apple's MacBook Pro, MacBook Air, Mac mini, and iMac. Digitimes reports that the cost of Thunderbolt technology is expected to drop in the second half of 2012, allowing more widespread adoption. While this sure is great for Windows users, that also means Thunderbolt will be available for hackintosh users!

While Apple does offer Thunderbolt across most of its product line, the first Thunderbolt products have been limited to relatively high end devices, such as the Blackmagic Ultrastudio 3D, the Magma Expressbox 3T or the Promise Pegasus Thunderbolt RAID. More widespread adoption should help drive adoption by accessory makers that will benefit both Mac and PC users that use the Thunderbolt technology.

Thunderbolt is not competing against USB3 (Intel said they see both USB 3.0 and Thunderbolt as complementary technologies) - furthermore there will be USB3 support for Apple devices, since there will be breakout boxes that offer USB3 connectivity.

Minicraft is an 8-bit game written in Java (playable in the Browser or via a downloadable version) where resources and materials have to be collected to craft and create something new. Persson told, the higher aim of the game is to kill the only other creature with "consciousness" to be alone forever.

Since the Mozilla Foundation got 300 Million US$ per year from Google to implement Google's search engine as the default one, two new releases of the Firefox Browser have been presented: Firefox 10 (stable) and Firefox 11 Aurora (Version 11). The mobile Android version of the Android implementation gets a new, native UI. That makes the browser faster and it needs less memory besides other improvements and fixes. Firefox Aurora and Beta can be downloaded from Future of Firefox.

Here is a list of all the changes:

NEW Firefox can now migrate your bookmarks, history, and cookies from Google Chrome
NEW The CSS text-size-adjust property is now supported
CHANGED Windows: An OS security dialog should no longer come up when updating
HTML5 View source syntax highlighting now uses the HTML5 parser (see bug 482921)
HTML5 The outerHTML property is now supported on HTML elements
DEVELOPER The Style Editor for CSS editing is now available to web developers
DEVELOPER Web developers can now visualize a web page in 3D using Tilt
DEVELOPER SPDY protocol support for faster page loads is now testable
DEVELOPER XMLHttpRequest now supports HTML parsing
DEVELOPER Files can now be stored in IndexedDB (see bug 661877)
DEVELOPER Websockets has now been unprefixed
FIXED Redesigned media controls for HTML5 video
FIXED Firefox notifications may not work properly with Growl 1.3 or later (see 691662)

Known Issues:

UNRESOLVED Some synaptic touch pads are unable to vertical scroll (see 622410)
UNRESOLVED For some users, scrolling in the main GMail window will be slower than usual (see 579260)
UNRESOLVED If you try to start Firefox using a locked profile, it will crash (see 573369)
UNRESOLVED This version of Firefox will not work on Macintosh hardware with Power PC CPUs (see 587799)
UNRESOLVED Under certain conditions, scrolling and text input may be jerky (see 711900)

According to the report, workers at several iPad component suppliers as well as manufacturing partner Foxconn will have limited time off during the usual Lunar New Year holiday. The Lunar New Year holiday itself falls on January 23rd next year, with workers generally receiving a number of other days off from work around that date.

Sources have been reporting a variety of rumored dates for an iPad 3 introduction, with some claiming a debut in the March-April timeframe while others have pointed to a February launch being in the works.

Apple last year launched new MacBook Pro models on Jobs' birthday, although that unusual Thursday introduction was likely a convenient coincidence driven by the debut taking place during the Presidents Day holiday week.

[original via macrumors.com]

It has not been verified yet, but there are some leaked details, which are of course just rumors:

- 4-inch screen
- Aluminum back
- Capacitive home button
- "Flatter" form factor
- Much faster than current hardware, but poor battery life
- 10-megapixel rear camera
- Siri prototype known as "Assistant", which had been the rumored name for the feature until its introduction

There are quite some good deals on the Apple iPhone 4S on ebay, an introduction of the iPhone 5 would let the price of the "older" models drop significantly (talking about the Osborne Effect)

Canon recently unveiled its C300 cinema camera at Hollywood's Paramount Studios, in front of a huge crowd. Cameras such as the Arri Alexa and RED EPIC dominate the digital filmmaking world - the Canon C300 aims at people that are into professional DSLR Video and want to take a step further.

It will cost somewhere in the range of $20,000. It contains a Super 35mm CMOS sensor and delivers up to 4K resolution with the outfit's new "top-end" EF zoom lenses, which come in four flavors: two 14.5-60mm lenses and two 30-300mm. And the lenses keep on coming, with three EF prime lenses in 24mm, 50mm, and 85mm variations. That CMOS sensor offers 1920 x 1080 pixels for the reds and blues and 1920 x 2160 for greens.

Mobius - 1080p HQ from Vincent Laforet on Vimeo.

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Canon announced the company’s newest flagship professional DSLR today, the 18 megapixel full-frame Canon 1Dx. The 1Dx will sit atop Canon’s model line as an update to both the Canon 1Ds and the 1D Mark IV, and is expected to debut for $6800 body-only in March 2012.

The 1Dx will feature dual DIGIC 5 processors, which Canon claims offer approximately 17 times more processing power than the previous generation DIGIC 4s.

Those looking for an upgrade to the 5D Mark II for video capture may find a friend in the 1Dx, as it is capable of 1080/30p/25p/24p HD video capture, with options for 720/60p/50p as well. The image sensor has been designed with video in mind, meaning that downsampling errors and the resultant moire effect should be significantly reduced. The file system’s 4GB limit has also been worked around, with an automatic file splitting functionality enabling up to 29 minute and 59 seconds of continuous video capture.

The camera also supports two methods of SMPTE-compliant timecode embedding, Rec Run and Free Run, to ease syncing up multiple cameras in post. The 1Dx will also support both intraframe (ALL-i) and interframe (IPB) compression, to aid post-production and editing workflows, depending on need. The camera also offers manual audio level control both before and during video capture with the internal monaural mic or an external stereo microphone.

Canon's all new full-frame CMOS sensor ensures that video footage captured on the EOS-1D X will exhibit less moiré than any previous Canon model, resulting in a significant improvement in HD video quality. A desired feature for many documentary filmmakers using Canon DSLRs was to enable recording beyond the four gigabyte (GB) file capacity and the EOS-1D X is the answer. The new camera features automatic splitting of movie files when a single file exceeds 4GB. The new file splitting function allows for continuous video recording up to 29 minutes and 59 seconds across multiple 4GB files; no frames are dropped and the multiple files can be seamlessly connected in post production, providing filmmakers the recording time they want in the same convenient DSLR form factor. The camera records Full HD at 1920 x 1080 in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); and 720p HD or SD video recording at either 50p or 60p (59.94). SD video can be recorded in either NTSC or PAL standards.

The Canon EOS-1D X also includes manual audio level control, adjustable both before and during movie recording, an automatic setting, or it can be turned off entirely. A wind filter is also included. Sound can be recorded either through the internal monaural microphone or via an optional external microphone through the stereo mic input.

The Canon 1Dx offers USB transfer, but will also sport a wired gigabit Ethernet port for stable wired transmission of video and still images at up to 1000BASE-T transmission speeds. That should allow not only faster transmission of files, but longer, more practical connection solutions for professionals. For on-camera storage, the 1Dx will eschew SD storage in favor of dual Compact Flash cards.

The low-light capability of the EOS-1D X is evident in its incredible ISO range and ability to photograph in extremely low-light conditions. Adjustable from ISO 100 to 51,200 within its standard range, the new model offers a low ISO 50 setting for studio and landscape photography and two high settings of 102,400 at H1 and 204,800 at H2, ideal for law enforcement, government or forensic field applications.

(via usa.canon.com)

New hardware also means new kexts for the hackintosh community and possibly also price drops on refurbished Mac Pro systems and refurbished MacBook Air models.

[UPDATE] with the announced Hitachi Deskstar 7K4000 4000GB(4TB), 5K4000 as well as the 4TB Seagate Barracuda XT a total of 24TB could be reached when modding the Promise Pegasus just replacing the 2TB drives it comes with. 5TB HDDs are reported arriving in January 2012. Read our updated Article: Caution with Promise Pegasus Thunderbolt RAID 6x3TB (18TB) or 6x4TB (24TB) modification. 6x5TB (30TB) possible as of January 2012?

The Promise Pegasus is the most "promising" hardware for enthusiasts and pro users, since it offers really fast transfer speeds, even topping the OCZ Vertex 3 SATA 6Gbps internal SSD on Macbook Pro computers.

Delivering over 800MB/s of disk performance, Pegasus is compatible with Mac systems with Thunderbolt

Compare the Promise Pegasus R4 (4x 2TB) and the Promise Pegasus R6 (8x 2TB). Of course, if you want to pimp your pegasus, you can replace the internal drives with different ones.

Internally Promise uses a PMC Sierra PM8011 8-port SAS-2 RAID controller. This is an 8-lane PCIe Gen 2 controller with eight SAS/SATA 6Gbps ports. On the R6 obviously only six of those ports are functional. The PM8011 has an embedded 600MHz MIPS processor and is paired with 512MB of DDR2-533. (via Anandtech)

Possible replacements and hacks for the Promise Pegasus:

* replace the internal hard drives with SSD drives: at the current date this still has stability issues. We are waiting for updated drivers or a response from Pegasus about the current freezes and issues with SSD drives. If you really have to test it out, make sure you get 6Gbps SSD drives. 2.5inch drives will also fit in the caddy.

* replacing the internal drives with 3TB drives: this is a confirmed and stable way of pimping your pegasus drives. Pegasus comes with 2TB Hitachi Deskstar 7K3000 drives, so make sure you are getting 3TB drives from the same brand. We can recommend the Hitachi 3TB 7200RPM drive, but also we can confirm the Pegasus runs with the Western Digital 3 TB SATA II Intellipower 64 MB Cache Bulk/OEM Desktop Hard Drive and the SEAGATE Barracuda XT 3 TB SATA 6.0 Gb-s 64 MB Cache. Just keep in mind, not to mix up brands: you should get 6 times the same hard disk for the most stable system.

* replacing the internal drives with SAS 6Gbps Hard Disks: while this would render the promise pegasus a real pro system that is rock stable, drives should be used, that offer a compatible SAS-connector. Since SAS-drives are generally compatible to SATA-connectors, we can generally recommend the Seagate Constellation ES.2 3 TB Internal Hard Drive SAS 600 7200rpm 64MB

Conclusio: The Promise Pegasus is a fast solution for great read/write speed plus the extra feature of having the possibility to daisy-chain more Pegasus devices together, to increase the space when needed. Compared to the Data Robotics DROBO PRO System, it only offers 1-drive fail (1 drive can get corrupted, if 2 fail your data is lost) while the DROBO offers dual drive redundancy. Also, the DROBO PRO supports different sized drives, while you can only put drives of the same size (and it is recommended to also only use the exact same drive models) in the Promise Pegasus.
Overall, nanofunk is recommending the Pegasus R4 and R6, because of its faster speed and possibilty to enhance the system. Since we had our DROBO PRO replaced twice (the unit itself was faulty) we are currently fully in favor of the Promise Pegasus.

A fresh book, discussing creative practices of the fields of media arts ("art with media" and "art through media") in europe and asia (mostly japan). To quote the official press statement: "International Authors from Europe and Asia explain the impact of codes and cultures on society". The book is available on Amazon EUROPE and the US Amazon site.

The short information is as follows:

"Through the transformations of creative cultures, enabled by digital media and global communication networks, new practices and ability profiles of artistic delineations and explorations are gaining grounds. New global codes and cultures are emerging out of diverse, intercultural abstractions and inventions, connected through new ways of exchanging ideas and sharing knowledge. At the present day it is difficult to predict which catalysts and draft programs can be put into effect for the development of near future playgrounds in this domain. By offering several perspective shifts on developments in digital realm and mediated reality, exemplary theories and projects on the intersection of different codes and cultures have been collected for this book. Presenting essays, reviews and interviews from international artists, theorists, researchers and curators, gives the reader an overview on new vectors of creative and artistic projects departed from digital media related art and cultures. It introduces new and critical models of observations on the intersection of disciplines like art, science, technology and design."

Coded Cultures. New Creative Practices out of Diversity (Georg Russegger)
Projects ... Project Worlds ... Project Cultures (Christian Reder)
Co-Evolutionary Anthropology of the Medial / CAM (Manfred Faßler)
Art is about the Future; Otherwise, Nothing (Hiroshi Yoshioka)
A Political Intervention in the Digital Realm (Marina Grzinić)
Assembling Art, Design, Technology and Media Culture: The Challenge of Japanese Device Art (Machiko Kusahara)
The Future of Creative Commodities in the Coded Cultures (Dominick Chen)
Coded Cultures Between New Media Art and Production Cultures (Matthias Tarasiewicz)
The Balance of my Wildness and my Intelligence was Way Off (David d’Heilly/Ujino Muneteru)
Mouseology—Ludic Interfaces—Zero Interfaces (Mathias Fuchs/exonemo)
Imaginary Agents—Flowers and the Common (Verina Gfader/BCL)
Ludic Chindogus as Erotic Toys— Pleasure, Play, and Politics Beyond Materialism (Margarete Jahrmann)
Urban Playgrounds, Alternate Games—on Urban Play, ARGs, and Psychogeography (Verena Kuni)
From Somebody’s Desire to Everyone’s Responsibility (Yukiko Shikata/UBERMORGEN.COM)

Instruments, Audio Effects, Midi Effects - but of course, this is not all of the cake. Imagine you can create user-interface elements however you please and also assign MIDI to that interface parts. This brings Ableton Live huge steps forward: the possibility to extend ableton to include a full featured audiovisual prototyping environment and to interface with the world: be it sensors, webservices or other Ableton Live installations.

1. Installation and Setup

Ableton Live Suite 8.1 (1.4GB download size!) and max/msp 5.1. are out in final versions as of today. As a happy Ableton and max/msp owner, the crossgrade was only 79€ for me (including VAT).

Right after Live starts up it has to be authorized, so all the extensions would be usable. After everything is set up, the following popup should be visible:

2. Overview

There are 3 different ways to include Max for Live patches into Ableton.

a) Instruments
Instruments would be a Synthesizer, a Sampler, etc.
Input: MIDI, Output: Audio

b) Audio Effects
Imagine any Audio Effect you can build here - let's say a Reverb for now.
Input: Audio, Output: Audio

c) MIDI Effects
Controlling and modifying the MIDI flow - like arpeggiators, mathematical functions, midi-sequencers, whatever.
Input: MIDI (or controller values), Output: MIDI

Of course, the whole bandwidth of max/msp is much more than only that. With Max for Live, now it is possible to use sensoric interfaces directly with Ableton Live: such as the i-cube, the arduino microcontroller board and so much else (for example the wireless MIDI Glove).

Interfacing to the "outside world" is also quite easy with max/msp: the netsend and netreceive objects let you connect via socket to e.g. a webservice, RSS-feed, whatever.
See also: Max for Live and twitter integration, the shoutcast~ and netsend~ objects for sending your audio stream around.

3. First Steps

In the screenshot above you see where the "Max Instrument" can be found in Ableton Live. In the right corner you can also see the first Instrument example I built: a sine wave oscillator.

a) Example: Sine Wave Oscillator Instrument with Signal Oscilloscope [download the patch]

This is a very basic patch: notein gets the MIDI note played, ddg.mono simplifies monosynth creation by dealing with last-note priority and note-on/note-off pairing, mtof (MIDI to frequency) translates the MIDI note to a frequency which is pushed to the cycle~ object (sine wave generator). The cycle~ then sends its audio-output to plugout~ which gets routed back to Ableton Live. Play the Sine Wave Oscillator as you would play any other instrument in Ableton Live: either via keyboard or via MIDI tracks.

b) Example: Simple Delay [download the patch]

This is also a rather simple patch. The incoming signal is delayed for a specific amount of time using the tapin~ and tapout~ objects. The tapin~ object is a continually updated buffer that stores the most recent signal it has received, and tapout~ accesses that buffer at one or more specific points in the past. The sound is mixed with its delayed version to create a sort of reflection.

What you can see in the screenshot below is how to implement images in patches that get loaded also to Ableton (using the fpic object) and which part is actually displayed in Live: everything below the black line is "invisible".
Test out the patch with the presets and also try to change the tapin~ and tapout~ values (use it as an audio effect on any soundfile. percussion or drums may be the best to hear the difference).

c) Example: 8-Step-MIDI-Repeat [download the patch]

The patch is also really simple: a line object counts from 1 to 9, resetting itself to 1 when it reaches 9 (=8 step), the select object checks for values between 1 and 8 and sends the according bang messages to the lights on top. the lights also trigger the int object, that saves values and outputs them on demand. this int objects are used to save the state of the checkboxes.
everytime an int object outputs a 1 (checkbox=checked), the select object on the right side sends the last notein event to a noteout object, causing the last note to be played again.

The difference between the two above screenshots is: hidden objects. Objects that you don't want to be visible in your Ableton Live surface you can hide with Object -> Hide on Lock (Apple+K).

Patch No.3 repeats your last played note in a step-sequencer style: however you checked your checkboxes, every time the light is active over a checked box, the last note will be played again. Test the 3 different presets and also the freestyle option (entering numbers on your own). Be careful with too low and negative numbers.

3. Conclusion

Max for Live is not only a very huge extension to Ableton Live (as stated above, a lot is possible now, from interfacing with hardware to webservices) but also finally a step in the right direction for the said to be lazy "ableton users": while the mainstream of ableton users use similar effects and instruments, this will change from now on. Instrument-directories such as on maxforlive.com feature lots of already available patches.
Another positive point is since max/msp is there much longer than Ableton Live and there is lots of educational content, tutorials etc. around. This could bring more people to look and learn about DSP and sound engineering als well as the physics behind audio.

Max for Live has still a few bugs - but what is there already is really something! Maybe one has to see it like this: in the end max/msp got a really cool sequencer ;)

4. Ressources

* ableton.com maxforlive product page
* cycling74 product page for max/msp
* maxforlive.com
* cycling74: the edit button has been pressed
* max 5 help and documentation

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