A new camera from Olympus will be released soon: the Olympus OM-D, styled after the classic OM-1 manually operated 35mm single-lens reflex camera. The Olympus advert features the words "Oh My Goodness", with the O and the M highlighted in bold. The OM-1 is a 35mm SLR film camera harking back to 1972. It's likely that the new camera would directly compete with the Fujifilm X Pro1, which was announced at CES, and also features retro styling and interchangeable lenses.

According to 43rumors, the "New Olympus OM video quality is better than on the GH2!" - but what does that mean exactly? First of all, Olympus is said to have reduced the "jello effect" as well as improved the dynamic range of the sensor. The question remains, what's the new sensor that could achieve such specs?

Here is a roundup of the rumored specs:

Olympus OM-1n with 50 mm / f 1.8 lens. Body weight 510 g only Author: Jmak, Source: Wikipedia

Rumours suggest that the OM-D will be presented on February 8th, during the CP+ photography show, taking place in Japan (home of Olympus).

Still, the Panasonic GH2 is a good choice for film makers and photographers alike (starting at $650 in the US and €695 in Europe), since it is currently cheap and has the same mount as the upcoming OM-D. If the OM-D firmware can be hacked remains unclear - it is a fact though, that hacking will take its time, since the Panasonic GF3 hack is also not even done yet.

Meet the new 5D Mark II Magic Lantern Unified from Andrew Reid on Vimeo.

here is out only wanted feature:

* more work on HDMI output for the 5DMKII so it is fully usable with the Atomos Ninja

You can support the development by sending them a small donation: http://goo.gl/gvD8Q. Here is the original sendout from the magic lantern user group:

Following the small, but positive feedback from this thread [ http://bit.ly/ml-unified-5D2 ], I'm glad to announce the next long-term direction of Magic Lantern: merging the AJ 5.x firmware with the unified one currently running on smaller cameras.
I need your help. As explained in the previous post, a good port (one suitable for paid jobs) requires me having a camera for testing. On 550D/60D ports, crashes are almost non-existent, audio meters are calibrated, HDMI monitors are fully usable and so on. So, if you like this idea, you may help me buy a 5D2 by:

- a small donation (you don't need a PayPal account for this): http://goo.gl/gvD8Q
- or by spreading the word, since right now there are not many users familiar with both ML versions

Feature-wise: I'd like to ask the users who have tried both AJ and Unified ML (especially those using both versions in a regular fashion) to comment on this. Main question: what's the best of both worlds? What do you like better in AJ 5.x and what do you like better in Unified? Big thanks to all ML community for making it possible!
Alex

canonrumors puts a date on a possible announcement of the long awaited Canon 5D MK III (MK3): announced around the end of March or early April 2012, "availability will probably happen before the summer begins in 2012. No specs were given at this time. This is a very solid [CR2]. The NAB show is April 14-19 in Las Vegas.".

The Canon EOS 7D Mark 2, northlight-images amongst other blogs report, "will be one of the big items Canon shows at Photokina 2012 in Cologne, Germany". Reports about the camera being APS-C are rumored, even though there is some info out there about it being APS-H. (dpreview, canonrumors)

Currently, the Canon EOS 5D MK II sells starting at $1,980.00 on Amazon US and EUR 1.679,95 on Amazon Germany. The Canon EOS 7D starts at $1,298.49 (Amazon US) and  EUR 1.229,95 (Amazon Germany). Since there were recent price drops, it is unclear if the prices will further slide down, once a new product will be introduced. Our recommendation is to get a Camera now, if you really need it, possibly refurbished. The second hand value will still be high, so it's currently a good time to buy, although new models might be around the corner.

Here is a roundup of the best deals:

Amazon Germany
Panasonic Lumix DMC-GH2EG-K 577,58€
HP LaserJet P4014N 456,61€
Kindle Keyboard, eReader, Wi-Fi, 15 cm (6") 109,90€

Amazon UK
Nikon D7000 Body Only for £783.08
Apple iPod touch 32GB for £130.58

Amazon US
Canon EOS Rebel T3 12.2 MP CMOS Digital SLR with 18-55mm IS II Lens for $417,05
Panasonic Lumix DMC-GH2 with 14-42mm Hybrid Lens $832.35
Apple MacBook Air MC969LL/A 11.6-Inch Laptop (NEWEST VERSION) for $990,92
Apple MacBook Air MC506LL/A 11.6-Inch Laptop (OLD VERSION) for $753.69

I am still going through all the offers and I will make myself some late christmas presents ;) happy shopping to you all!

Magic Lantern Unified looks promising: High Dynamic Range VIDEO for Canon cameras:

============== UPDATE ================
available for download now!
magiclantern.wikia.com/wiki/Release_2011Dec22
======================================
Demonstration of the new and free High Dynamic Range VIDEO feature for control over ultra contrast situations.

Discussion, workflow, RAW footage, FAQ:
vimeo.com/groups/74140/forumthread:250295

Magic Lantern is a custom firmware add-on for Canon dSLR cameras. It is not a hack, or a modified firmware, but it runs alongside Canon's own firmware, booting from the card every time you turn the camera on. The only modification to the original firmware is the ability to boot software from the card.

magiclantern.wikia.com/wiki/Unified

HDR Video: what does it mean? It does not output pre-processed HDR video from the camera, rather it blends the alternative high ISO / low ISO frames together in post (see this discussion thread at Vimeo). There is of course a difference if you use two Canon 5D MKII for generating a HDR movie (as this guy did) compared to this "hack", although the development of Magic Lantern continues to impress!

Keep on rocking! We can't await clean HDMI output for the 5DMKII to use it with the Atomos Ninja (if this hack is possible at all...)

Intel and Apple originally partnered on the new technology which has become standard across Apple's MacBook Pro, MacBook Air, Mac mini, and iMac. Digitimes reports that the cost of Thunderbolt technology is expected to drop in the second half of 2012, allowing more widespread adoption. While this sure is great for Windows users, that also means Thunderbolt will be available for hackintosh users!

While Apple does offer Thunderbolt across most of its product line, the first Thunderbolt products have been limited to relatively high end devices, such as the Blackmagic Ultrastudio 3D, the Magma Expressbox 3T or the Promise Pegasus Thunderbolt RAID. More widespread adoption should help drive adoption by accessory makers that will benefit both Mac and PC users that use the Thunderbolt technology.

Thunderbolt is not competing against USB3 (Intel said they see both USB 3.0 and Thunderbolt as complementary technologies) - furthermore there will be USB3 support for Apple devices, since there will be breakout boxes that offer USB3 connectivity.

Minicraft is an 8-bit game written in Java (playable in the Browser or via a downloadable version) where resources and materials have to be collected to craft and create something new. Persson told, the higher aim of the game is to kill the only other creature with "consciousness" to be alone forever.

Since the Mozilla Foundation got 300 Million US$ per year from Google to implement Google's search engine as the default one, two new releases of the Firefox Browser have been presented: Firefox 10 (stable) and Firefox 11 Aurora (Version 11). The mobile Android version of the Android implementation gets a new, native UI. That makes the browser faster and it needs less memory besides other improvements and fixes. Firefox Aurora and Beta can be downloaded from Future of Firefox.

Here is a list of all the changes:

NEW Firefox can now migrate your bookmarks, history, and cookies from Google Chrome
NEW The CSS text-size-adjust property is now supported
CHANGED Windows: An OS security dialog should no longer come up when updating
HTML5 View source syntax highlighting now uses the HTML5 parser (see bug 482921)
HTML5 The outerHTML property is now supported on HTML elements
DEVELOPER The Style Editor for CSS editing is now available to web developers
DEVELOPER Web developers can now visualize a web page in 3D using Tilt
DEVELOPER SPDY protocol support for faster page loads is now testable
DEVELOPER XMLHttpRequest now supports HTML parsing
DEVELOPER Files can now be stored in IndexedDB (see bug 661877)
DEVELOPER Websockets has now been unprefixed
FIXED Redesigned media controls for HTML5 video
FIXED Firefox notifications may not work properly with Growl 1.3 or later (see 691662)

Known Issues:

UNRESOLVED Some synaptic touch pads are unable to vertical scroll (see 622410)
UNRESOLVED For some users, scrolling in the main GMail window will be slower than usual (see 579260)
UNRESOLVED If you try to start Firefox using a locked profile, it will crash (see 573369)
UNRESOLVED This version of Firefox will not work on Macintosh hardware with Power PC CPUs (see 587799)
UNRESOLVED Under certain conditions, scrolling and text input may be jerky (see 711900)

According to the report, workers at several iPad component suppliers as well as manufacturing partner Foxconn will have limited time off during the usual Lunar New Year holiday. The Lunar New Year holiday itself falls on January 23rd next year, with workers generally receiving a number of other days off from work around that date.

Sources have been reporting a variety of rumored dates for an iPad 3 introduction, with some claiming a debut in the March-April timeframe while others have pointed to a February launch being in the works.

Apple last year launched new MacBook Pro models on Jobs' birthday, although that unusual Thursday introduction was likely a convenient coincidence driven by the debut taking place during the Presidents Day holiday week.

[original via macrumors.com]

With Mac OSX Lion 10.7.0, a message was repeatedly showing up in the Console.app, so the logfiles would grow in size - sometimes around 100 MB per minute. This is especially bad for SSD owners. While the issue was reported over 6 Months ago, and Flash Player 11 solved the amount of errors in the console, still the message appears and slows down OSX 10.7 systems.

At least the release of Adobe's Flash Player 11 solved the system freezes - but the Log message still is filling the kernel.log, so any debugging or search for errors is quite hard with that amount of data to read through.

If you are experiencing the same issues, please write your concerns to the Adobe Forums in the existing thread and alternatively also in the Apple Discussion Thread.

Nanofunk reported about this issue in july 2011, and we got over 60.000 unique visits to this post - so this is not a rare case, this is a serious bug with Adobe Flash and Adobe Air. We will post any updates to the situation to this blog, make sure to bookmark our feed.

See also:
* macrumors forum about kernel: IOSurface: buffer allocation size is zero
* nanofunk: Mac OSX Lion 10.7 System Freezes: kernel: IOSurface: buffer allocation size is zero (console message)

[Update] I posted to the Adobe Bugbase with a bug description. Hope they will respond now.

Currently, with the announcement of the Hitachi Deskstar 7K4000 4000GB, SATA 6Gb/s (0F14681) and the 4TB Deskstar 5K4000 as well as the 4TB Seagate Barracuda XT 7200RPM a total of 24TB could be reached when modding the Promise Pegasus just replacing the 2TB drives it comes with.

Tomshardware even reported on 5TB HDDs arriving in January 2012, so a modification to fit 30TB into the Promise Pegasus would be possible theoretically.

While all the drives are not available at the current time of writing of this article, please do consult the Promise Support if you are planning to do modifications or already did! Judging from the current feedback on modifications, updating the Promise Pegasus before an official answer or statement from Promise Technology is NOT RECOMMENDED!

Please send emails to Promise directly and ask them to react on the current limitations. I already did so - still waiting for response.

The early 2011 MacBook Pro is Apple's masterpiece, no doubt: besides the overheating problems that many of us reported (but which seem to be solved as of now). Core i7 MPBs are super-fast with a Geekbench score of over 10.000 points for the i7 quad-core version - this was and still is an awesome performance for a notebook.

If you are planning on buying a new MacBook Pro 15", keep in mind that newer does not necessarily mean better: the early 2011 MacBook Pro is currently the best deal you can get ($1,549.99 for a new, $1,499.99 for refurbished MC721LL/A 15.4-Inch quad Core on Amazon) especially since they fixed all the flaws people reported about. I was complaining about issues a lot, but after Apple replaced the two notebooks we had, the run smootly ever since.

So a clear winner for buying a new MacBook Pro in 2011/2012 is the Apple MacBook Pro MC721LL/A 15.4-Inch early 2011 model that performs better in most of the situations compared to the late 2011 version (review and benchmarks by anandtech).

It has not been verified yet, but there are some leaked details, which are of course just rumors:

- 4-inch screen
- Aluminum back
- Capacitive home button
- "Flatter" form factor
- Much faster than current hardware, but poor battery life
- 10-megapixel rear camera
- Siri prototype known as "Assistant", which had been the rumored name for the feature until its introduction

There are quite some good deals on the Apple iPhone 4S on ebay, an introduction of the iPhone 5 would let the price of the "older" models drop significantly (talking about the Osborne Effect)

Affected Models: Macbook Pro models 8,1, 8,2, and 8,3. These include both MacBook Pro (Early 2011) and Macbook Pro (Late 2011).

This update resolves an issue where a MacBook Pro being used with a power adapter may unexpectedly shut down under heavy workload if the battery charge level is near empty.
Your computer's power cord must be connected and plugged into a working power source, or your battery must be at least 25% charged.
When your computer restarts a gray screen will appear with a status bar to indicate the progress of the update.
Your computer's fans will run at full speed during the update but will return to normal speed once the update completes.
Do not disturb or shut off the power on your computer during this update.

The MacBook Pro SMC Firmware Update 1.5 can be downloaded from Apple's support website.

Canon also announced a real 4k Camera to be available somewhere in the next year. So 2012 could become the real year of DSLR Video.

Here is the original press release from RED.COM
(via red.com/press):

RED STUDIOS HOLLYWOOD, Hollywood, Calif., November 3, 2011 – RED Digital Cinema has officially released its third industry-changing camera, the Scarlet-X. With burst modes up to 12 fps at full 5K resolution alongside 4K motion capture from 1-30 fps, the camera allows professional photographers and cinematographers to simultaneously capture motion footage and still content. Never miss a shot. Ever. Scarlet-X’s compact design, endless modularity and advanced feature set provide a future-proof solution catering to every shooter’s needs, leaving one-dimensional DSLRs and 1080p camcorders in its wake. Priced at under $10,000, Scarlet-X advances RED’s vision to democratize superlative cinema and professional photography.
Scarlet-X comes standard with a Canon EF or PL mount, which can be swapped easily using Scarlet-X’s interchangeable lens mount system. Panavision, Anamorphic, and Nikon lenses are also compatible with the camera, providing ultimate freedom when it comes to creative decision-making. The addition of HDRx reaches up to 18 stops of dynamic range, bringing digital images closer than ever to the natural perception of the human eye.
With the innate ability to capture 5K REDCODE RAW stills and true 4K motion footage, Scarlet-X produces visually lossless files that can easily be graded and finished. Combining all of the finest qualities of cinema and photography into one camera, Scarlet-X allows the customer to have the best of both worlds. Compromise nothing. Shoot everything.
“The future is dependent on those who push… not those who react,” said Jim Jannard, founder of RED Digital Cinema.
RED is now taking orders on RED.com for Scarlet-X.
Since delivering their first camera – the RED ONE – in 2007, RED Digital Cinema has jumped ahead of the pack over camera companies that had dominated the market for decades. Feature films shot with RED cameras such as the Academy Award-winning movie “The Social Network” and the more recent “Contagion” have contributed to a lineage of cinematic success. Since the 2011 introduction of DSMC (Digital Still & Motion Camera) technology, photography icons like Bruce Weber, Greg Williams and Inez + Vinoodh have used RED cameras to shoot covers and spreads for the some of the most influential fashion magazines in the world.
Follow the announcement at REDUSER.net/SCARLET.

[Update 20.11.2011] Philip Bloom posted a balanced take on the Scarlet. Worth a read.

Recommended reading on this topic: The Truth About 2K, 4K and The Future of Pixels

Canon recently unveiled its C300 cinema camera at Hollywood's Paramount Studios, in front of a huge crowd. Cameras such as the Arri Alexa and RED EPIC dominate the digital filmmaking world - the Canon C300 aims at people that are into professional DSLR Video and want to take a step further.

It will cost somewhere in the range of $20,000. It contains a Super 35mm CMOS sensor and delivers up to 4K resolution with the outfit's new "top-end" EF zoom lenses, which come in four flavors: two 14.5-60mm lenses and two 30-300mm. And the lenses keep on coming, with three EF prime lenses in 24mm, 50mm, and 85mm variations. That CMOS sensor offers 1920 x 1080 pixels for the reds and blues and 1920 x 2160 for greens.

Mobius - 1080p HQ from Vincent Laforet on Vimeo.

Facebook had 22 Million active users in the middle of 2007; fast forward to 2011 and the site now has 800 Million active users, with 400 million of them logging in every day. Facebook has grown exponentially, to say the least! To cope with this kind of exceptional growth and at the same time offer a reliable and cost effective service requires out of the box thinking. Typical high-end, brute force, ultra redundant software and hardware platforms (for example Oracle RAC databases running on top of a few IBM Power 795 systems) won’t do as they're too complicated, power hungry, and most importantly far too expensive for such extreme scaling. (quoting Anandtech)

"The AMD servers are mostly used as Memcached servers, as the four channels of AMD Magny-cours Opterons 6100 are capable of using 12 DIMMs per CPU, or 24 DIMMs in total. That works out to 384GB of caching memory."

It remains unclear, when or if that server hardware will be available for purchase - but it looks like there will be some cloud/datacenter providers jumping on the idea of the open compute servers, so it might be possible to rent them.

OS X Lion is the next major release of OS X, the world’s most advanced desktop operating system. It includes over 250 new features that will transform how you interact with your Mac. Built on a rock-solid UNIX foundation, OS X is engineered to take full advantage of the technologies in every new Mac. And to deliver the most intuitive and integrated computer experience. Brought to us by HOTiSO group. Mac OS X 10.7 was first shown to the public in October 2010. The presentation was understated, especially compared to the bold rhetoric that accompanied the launches of the iPhone (”Apple reinvents the phone”) and the iPad (”a magical and revolutionary device at an unbelievable price”). Instead, Steve Jobs simply called the new operating system “a sneak peek at where we’re going with Mac OS X.”

F-Secure offers removal instructions

"The original iteration of the Flashback Trojan was a nasty little bugger, quietly shipping your Mac's details off to a remote server. This newly discovered variant is even worse.

The new version, dubbed Flashback.C, also disables the your Apple's security definition update service by wiping files necessary to run future updates. Both Snow Leopard and Lion are vulnerable, though the Trojan seems to delete itself on any system running Little Snitch. The Trojan itself comes disguised as a Flash package installer."

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***You can download the full 1080p version of this video for a more accurate presentation.

Here's a "fair" test between the iPhone 4S and the Canon 5D MK II. I made a little rig that allowed me to shoot both cameras at the same time side by side. All scenes are perfectly synced together so you can pause and scrutinize the frames! See photo of the makeshift rig in the photo area.

Exposure, shutter speed, frame rate and picture style were matched as close as possible between the two cameras. (I used the Zacuto Z-finder to help me adjust exposure for both iPhone and 5D)

This test shows that the tiny F2.4 lens and sensor on the iPhone are pretty nice. It even got a little depth of field!

I did not overlay the exact ISO and Stops 5D settings per shot. It was too much to keep track for this simple test. To be fair I matched 5D exposure to the iPhone so no "Cinestyle" / 24p here.

Here are the settings:

iPhone 4S

- AE.AF locked. That's all you have!

Canon 5D MKII

- Canon 50mm 1.4
- ISO 160 ~ 640 (varied per shot to match the iPhone)
- F 7~22 (varied per shot to match the iPhone)
- Shutter 1/60th
- Auto WB
- Standard Picture Style
- 1080p 30

(Source: vimeo.com)

Video: Tsawout Spit – Gh2 Test (driftwood 176mb gop1 hack) from mark wyatt on Vimeo.

There seems to be no day without any surprises with the Panasonic GH2. The latest hot-shit is a hack to get 176Mbps AVCHD Intra up and running on the camera. Right now there's no possibility to record in 25p but there are attempts by vitaly and others, so let's see what the future holds.

What is AVCHD Intra?
"AVCHD Intra is usually recorded to extremely expensive P2 cards on high end cameras and here it is on a consumer camera with an SD card. [...] This is a codec that uses i-frames only unlike consumer AVCHD. Every frame from the sensor is stored. Standard AVCHD is a Long-GOP compression format and works by estimating and guessing at frames in-between ‘real’ images but Intra doesn’t. [...] AVCHD Intra is very good for heavy colour grading, fast action, hand held footage and green screen VFX work. You certainly get a better result from AVCHD Intra on the GH2 than by outputting from any DSLR’s HDMI feed to a external recorder as well." (via eosHD)

How does it compare?
eosHD has a comparison on AVCHD intra 100Mbps vs 24Mbit AVCHD.

And if that's not enough: there is even a 244Mbps AVCHD Intra Hack, as outlined by Driftwood: "It's stable and with good lighting conditions can look amazing."

eosHD recommends: "AVCHD Intra at such high bitrates can be tricky to edit so I recommend transcoding it to ProRes 4-4-4 first."

Canon announced the company’s newest flagship professional DSLR today, the 18 megapixel full-frame Canon 1Dx. The 1Dx will sit atop Canon’s model line as an update to both the Canon 1Ds and the 1D Mark IV, and is expected to debut for $6800 body-only in March 2012.

The 1Dx will feature dual DIGIC 5 processors, which Canon claims offer approximately 17 times more processing power than the previous generation DIGIC 4s.

Those looking for an upgrade to the 5D Mark II for video capture may find a friend in the 1Dx, as it is capable of 1080/30p/25p/24p HD video capture, with options for 720/60p/50p as well. The image sensor has been designed with video in mind, meaning that downsampling errors and the resultant moire effect should be significantly reduced. The file system’s 4GB limit has also been worked around, with an automatic file splitting functionality enabling up to 29 minute and 59 seconds of continuous video capture.

The camera also supports two methods of SMPTE-compliant timecode embedding, Rec Run and Free Run, to ease syncing up multiple cameras in post. The 1Dx will also support both intraframe (ALL-i) and interframe (IPB) compression, to aid post-production and editing workflows, depending on need. The camera also offers manual audio level control both before and during video capture with the internal monaural mic or an external stereo microphone.

Canon's all new full-frame CMOS sensor ensures that video footage captured on the EOS-1D X will exhibit less moiré than any previous Canon model, resulting in a significant improvement in HD video quality. A desired feature for many documentary filmmakers using Canon DSLRs was to enable recording beyond the four gigabyte (GB) file capacity and the EOS-1D X is the answer. The new camera features automatic splitting of movie files when a single file exceeds 4GB. The new file splitting function allows for continuous video recording up to 29 minutes and 59 seconds across multiple 4GB files; no frames are dropped and the multiple files can be seamlessly connected in post production, providing filmmakers the recording time they want in the same convenient DSLR form factor. The camera records Full HD at 1920 x 1080 in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); and 720p HD or SD video recording at either 50p or 60p (59.94). SD video can be recorded in either NTSC or PAL standards.

The Canon EOS-1D X also includes manual audio level control, adjustable both before and during movie recording, an automatic setting, or it can be turned off entirely. A wind filter is also included. Sound can be recorded either through the internal monaural microphone or via an optional external microphone through the stereo mic input.

The Canon 1Dx offers USB transfer, but will also sport a wired gigabit Ethernet port for stable wired transmission of video and still images at up to 1000BASE-T transmission speeds. That should allow not only faster transmission of files, but longer, more practical connection solutions for professionals. For on-camera storage, the 1Dx will eschew SD storage in favor of dual Compact Flash cards.

The low-light capability of the EOS-1D X is evident in its incredible ISO range and ability to photograph in extremely low-light conditions. Adjustable from ISO 100 to 51,200 within its standard range, the new model offers a low ISO 50 setting for studio and landscape photography and two high settings of 102,400 at H1 and 204,800 at H2, ideal for law enforcement, government or forensic field applications.

(via usa.canon.com)

Apple's latest hot shit, iCloud is in everyone's mouth, since it comes right with the 10.7.2 OSX Lion Update. But what does it actually bring for OSX-only users? Nada.

First of all the bad news: currently there is no way to store any files directly in iCloud. That makes Apple iCloud not a competitor for Dropbox at all. But why do they state "you can access your content on all your devices" when they actually don't mean your MacBook or Macbook Pro? Well, they currently mean "all your iOS devices". While Apple could offer such a service (Backups from your Computer to iCloud) in the near future, currently it really doesn't make any sense to use iCloud if you are not using any iOS 5 Device - and if you also care about backing up other things besides your address book and photographs, let's say your 3D-models or local databases. In this context I can totally recommend iBackup, a free tool for OSX users that need point-and-click backups. In this case, you can backup right to FTP or your Dropbox, which gives you cloud-power as well.

Intel will bring Thunderbolt to the PC, which means you can use your devices such as the Promise Pegasus Thunderbolt RAID or the Lacie Little Big Disk, but also products such as the black magic intensity extreme Thunderbolt video capture cards on your Windows PCs - and on your hackintosh machines as well.

During Intel’s Developer Forum, the chip maker showed off some Ultrabook prototypes running on its Haswell-based processor and sporting the high-speed Thunderbolt port. The technology was developed in collaboration with Apple and has so far remained exclusive to Macs. That may change soon as Intel teases that Thunderbolt will be heading to Windows PCs as well.

(via slashgear)

hunderbolt was originally code-named Light Peak and was installed on the update to the Mac Book Pro earlier this year. Rights to the Thunderbolt technology were originally registered under Apple, but were transferred over to Intel which is why you'll see it's name popping up a bit more. We already know Acer and Asus are planning Thunderbolt integration, but we're unsure how the port will look. Currently, the Thunderbolt port on Apple products is identical to the mini-display port, but PC users would rather it be more like USB for increased compatibility. Not to many people are aware of this, but Sony released their VAIO Z with a hybrid USB 3.0/Light Peak port, so it's kind of up in the air as to how things will shape-up.

Expected timeframe: anywhere in 2012.

"Steve Jobs, 1955-2011" read the simple button which appeared within minutes on Google, linking to the front page of Apple's website which itself had a picture of Jobs anouncing his death at the age of 56.

Fuji president and CEO Shigetaka Komori said they will create a mirrorless, interchangeable lens camera built around a larger sensor with ‘resolution and low noise [that] will surpass the 35mm full size sensor’. If Canon does not come up with the EOS 5D MKIII fast, people will start to switch.
(via DC.watch)

[UPDATE] Nikonrumors posted More Nikon D800 bits and pieces: 100% Viewfinder coverage, improved AF with face recognition, SD+CF dual memory card slots as well as a USB 3.0 possibility. The question remains, why not CFAST? On another post, the ISO range is said to be 100 – 6400, ISO LO @ 50 and ISO HI-2 @ 25600. We can only wait and see...

Everyone's talking about the new iPhone 4S that was announced by Apple recently. But is there more to it than improved optics? Even if not, the camera is a huge improvement over the previous model: 1080p video recording, 8 Megapixel photo sensor, f/2.4 aperture.

Behind all the updates, the most interesting is HSDPA support. In countries such as Austria or Japan, where HSDPA is widespread, this is a very welcome hardware upgrade. Still, why is there no HSPA+ support? In cities with a weak broadband coverage (everything above a few MB upstream) - such as Vienna, this is really akward. We still have to fall back to the Samsung Galaxy S2 i9100, which offers HSPA+ among other great features. So the "only" killer feature of the Apple iPhone 4S remains the greatly improved Camera - which is to question, concerning the price of such a gadget. An Amazon Search for the iPhone 4S yields no results, obviously, since the device is said to be available from mid October.

Our recommendations: wait for the iPhone 5 and get some real gear instead.

1) Get a Canon PowerShot S100 for Photo and Video
2) Get a SONIM XP5300 3G FORCE if you need a phone that actually works.

This is an information from our Partner, 5uper.net:

In Autumn of 2011 the Festival Coded Cultures takes place for the 4th time, this year focusing on the topic "City as Interface". Ever since the foundation of the Festival in 2004 lay the general emphasis on creative practices of cultural development on the intersections of art, technology, science and design. It is our concern to decode de- velopments, concepts and projects in those “coded” structures of digital and (new) media production, which won’t open up easily to broader audiences. Over the years the alignment of Coded Cultures and its variations were orientated internation- ally with the focus on eastern Europe in 2004, Brasil in the following years and Japan in 2009. This year, Coded Cultures involves mainly participants from Europe with prominent attendees such as transmediale from Berlin, Media Lab Prado from Madrid, Amber Festival from Istanbul and the Enter Festival from Prague.

BACKGROUND INFORMATION
CODED CULTURES was initiated by the group »5uper.net«: a network of producers, theorists, artists, designers, architects and programmers, which is active in the field of knowledge-work based on digital media related forms of art and culture. Recently, the Book "Coded Cultures: New Creative Practices Out of Diversity" published by Springer.

http://codedcultures.net
http://5uper.net
http://www.facebook.com/codedcultures
http://twitter.com/codedcultures
Coded Cultures: New Creative Practices Out of Diversity

Currently, Ableton Live 8 is $499.00 (new) and $425.00 (used).

What are currently recommended HDMI field recorders?

1. Black Magic Hyperdeck Shuttle (RAW Video)

* Product information page/ manufacturer: Black Magic Design
* Discussion on the Magic Lantern User Group: hyperdeck shuttle

Pro:

Very Cheap: ($339.99 in the USA, 299€ in Europe

Cons:

SSD drives NOT included, so you might need to calculate in some OCZ Vertex 3 SSDs in your budget

No Video Monitoring on the device itself. You might need to buy an external monitor, such as the Liliput external HDMI monitor (starting at $169 in the USA and 186€ in Europe)



2. Atomos Ninja - Portable HDMI Recorder (ProRes)

Pro:

Conclusion:
Unless you are super-rich and have tons of money to spend for Solid State Drives and a RAID Array, you should get the Atomos Ninja. Besides the actual device, you also get a monitoring solution and have a true portable device, that creates files usable with normal hard drives. Overall cost is much lower and there should not be a really visible difference from ProRes to RAW footage. If you are into Bokeh Porn, you might want to spend your money in the Black Magic Hyperdeck Shuttle.

Keep in mind, there are currently some issues with HDMI out an Magic Lantern: there is a video on the 5D MKII's 1080i out and also some discussions going on in the Magic Lantern Forums, because some processing needs to be done to get actual usable files. Actual resolutionis 12-19% less (depending how you do it) but still the results are awesome - especially in low light situations. Maybe we will get real clean HDMI out with the Canon EOS 5D MKIII.

We also blogged that enabling TRIM is a good thing, although it seems that it seems to be not necessary on Sandforce based chipsets.

Since we still were experiencing freezes and Sandballs on our Mac OSX Lion 10.7 SSD Setup that were actually not related to TRIM, also the system did not feel as snappy anymore.

Conclusion: don't use TRIM on OSX Lion 10.7, if you are using a Sandforce based SSD. Revert to the original driver and not only the Beachballs will go away, but also the system feels snappy again. See the below Benchmarks for real-life results (since AJA System Test does not work on internal drives, we can recommend using XBENCH to verify the figures for you).

XBENCH Screenshot with TRIM Enabled (using TRIM Enabler for OSX 10.7 Lion)

Screenshot of XBENCH without TRIM Enabler (Restored to original setting)

UPDATE: Grant Pannell (digitaldj.net) reports on how to restore to the original settings.

I opened up the console app, and there were hundreds, if not thousands of logs just in the past 2 hours. And when I say 'get info' on Macintosh HD the used disk space is increasing every 5 to 10 seconds. This is the only concerning bug/glitch of noticed in Lion since upgrading.

I had exactly the same issue, checking my Console.app messages that told

"WebProcess(225) deny file-read-data /Users/foobert/Library/Application Support/Adobe/AIR/ELS/com.adobe.amp.4875E02D9FB21EE389F73B8D1702B320485DF8CE.1/ PrivateEncryptedDatak"

While one would think that uninstalling Adobe AIR would fix the issue, the problem resides at another point.

Solution:

1) Open "Keychain.app"
2) Go To "Keychain Access -> Keychain First Aid" to repair your Keychain.

Now the console messages disappeared and the system runs in "silent mode" again.

To reproduce the issue:
1) click on "Clear Display" in Console.app
2) go to http://www.adobe.com/software/flash/about/ and the error will show up in the console.

The error must be Flash related. Sometimes, the whole System is unresponsive, freezing everything but the mouse. There is no official response from Adobe or from Apple, so we can only hope and wait. Please check your Console.app for this error and respond to any of the existing discussions.

[Update] the error message also seems to have surfaced in 10.6.4 already, as visible in the Apple Discussion Forums

[Update] installing the Adobe Flash Player 11.0 from Adobe Labs seems to at least minimize the freezes, but still the console messages appear.

[Update] i posted a poll on insanelymac to see which browsers and systems are affected. please also post your results there!

[Update] the new Beta 2 11.0.d1.98 of the flash player is out (thanks JP Hansen)

[Update] The Flash Player 11 is officially released. It seems though, that not all issues are resolved with Mac OSX Lion compatibility.

[Update 23.12.2011] more than 6 months after the issue was reported, (and we have Apple Mac OS X 10.7.2 and 10.7.3 in beta) there is still no update on this issue from Adobe. Please write your concerns to the Adobe Forums in the existing thread to have them fix the issues! Especially for SSD owners this is unacceptable!

Existing Discussions:

* Nanofunk.net discussion thread in the Adobe Flash Player Forums
* Thread in the Apple Support Communities Forum
* Thread on MacRumors Forums regarding Lion Freezes with kernel: IOSurface

[Update] I posted to the Adobe Bugbase with a bug description. Hope they will respond now.

1. Get Mac OSX 10.7 Lion
A Retail Version has already been spotted in the german amazon store but it seems the product has already been removed from amazon. Other ways to create a bootable Lion DVD are outlined here:

* MacRumors Forums: Make an OS X Lion Boot Disc
* Download the Lion Boot Disc via Torrent (of course, only if you already legally own Mac OSX 10.7 Lion)

2. Get a Cheap USB Stick that works with OSX

3. Boot the Chimera Installer

4. Install Multibeast

Of course, you can also try the method outlined by tonymac: Installation of 10.7 Lion with Snow Leopard and Boot Partition. Please post any success or fail information in the comments section.

1) No TRIM support out of the box if you are using your own SSD (not Apple's)

This is ridicolous: TRIM only seems to work for Apple buit-in SSDs. There is a tool by groths.org that will do the trick: TRIM Enabler, which works for Lion and for Snow Leopard as well. You might want to consider enabling this feature, since TRIM will make your Solid State Drive last longer, due to less writes to the cells.

2) Mouse scrolling direction got reversed: how to revert

Apple decided to reverse the mouse scolling on 10.7 Lion, meaning you have to scroll your mousewheel up to actually move the on-screen content down. Here is a screenshot from System Preferences, where you can change that "feature" to the way it was before: simply uncheck the box left to "Move content in the direction of finger movement when scrolling or navigating".

3) Disabling the "Resume" feature

The "Resume" Feature in Mac OS X Lion restores the state of the application windows, when re-opening an application. Since I definitely do not need this feature, here is a way to turn it off: just uncheck the left box next to "Restore windows when quitting and re-opening apps" in System Preferences -> General

4) Disabling "Versions" feature in Mac OSX 10.7 Lion

Versions should't be a problem unless you are using Time Machine. MacRumors has a forum post on disabling that features.

5) Other (small) annoyances

Google Chrome does not get moved with an update ( Chrome vanishes with Lion 10.7 Update)

This is also very strange: the Google Chrome Browser did not get moved on my Lion update. I had to re-download Google Chrome.app. At least the Application Support files got moved, so I did not lose any browsing history or bookmarks.

Dropbox needs to be reinstalled: special Lion build

The dropbox right-click features dissappear when updating to Lion. Download the Latest Forum Build of Dropbox that is Lion compatible (1.2.16 at the time of writing this entry)

Other interesting reviews about Mac OSX 10.7 Lion can be found here:

* Time Magazine on OSX Lion: "With OS X Lion, Apple's Macs Enter the iPad Era"
* Engadget: "Apple OS X Lion (10.7) review"

The company Cycling74 announced Max/Msp 6 which will arrive fall 2011. Prices have been lowered, starting from $59 for a student 12-month license. Upgrade prices for existing Max5 users will be $199, if there will be a "max for live" upgrade fee is not known at the moment.

Main news are:

1. Performance: code generation, HTML5 and a new 2d Graphics API in Javascript has been announced.
2. Quality: "output gaps" should not be audible anymore when working on running patches, as well as "an advanced toolset for high quality rendering 3-D objects" has been announced. Jitter comes with a new physics engine and better support for 3D model and animation files. Better support for cameras and lighting, as well as a new "materials" systems have also been introduced.
3. Workflow: a new attribute monitoring and editing workflow, as well as a "new project feature, where you can see all the patchers, code, and media files you’re using" has been announced.

You can read the full announcement at the Cyling74 website, as well as read the @cycling74 twitter feed for more recent updates.

New hardware also means new kexts for the hackintosh community and possibly also price drops on refurbished Mac Pro systems and refurbished MacBook Air models.

Steps to install OSX Lion:
1. Get the "GM" (Golden Master) of Lion via torrent
2. Get an EFI Boot Loader
3. Get a decent 8GB USB thumb drive and install the Golden Master on there.
4. Install using iBoot.

You can get detailed information on installing Mac OSX Lion 10.7 by reading the geeknizer blog howto.

[UPDATE] tonymacx86 showed how to Install OS X 10.7 Lion on any Supported Intel Core 2 or Core i based PC with xMove + MultiBeast. Furthermore, there is a Mac OSX Lion v10.7.2-HOTiSO that should also boot from any PC. Don't forget that you need to buy Apple Mac OS X Lion from the App Store to legally use it.

[UPDATE] with the announced Hitachi Deskstar 7K4000 4000GB(4TB), 5K4000 as well as the 4TB Seagate Barracuda XT a total of 24TB could be reached when modding the Promise Pegasus just replacing the 2TB drives it comes with. 5TB HDDs are reported arriving in January 2012. Read our updated Article: Caution with Promise Pegasus Thunderbolt RAID 6x3TB (18TB) or 6x4TB (24TB) modification. 6x5TB (30TB) possible as of January 2012?

The Promise Pegasus is the most "promising" hardware for enthusiasts and pro users, since it offers really fast transfer speeds, even topping the OCZ Vertex 3 SATA 6Gbps internal SSD on Macbook Pro computers.

Delivering over 800MB/s of disk performance, Pegasus is compatible with Mac systems with Thunderbolt

Compare the Promise Pegasus R4 (4x 2TB) and the Promise Pegasus R6 (8x 2TB). Of course, if you want to pimp your pegasus, you can replace the internal drives with different ones.

Internally Promise uses a PMC Sierra PM8011 8-port SAS-2 RAID controller. This is an 8-lane PCIe Gen 2 controller with eight SAS/SATA 6Gbps ports. On the R6 obviously only six of those ports are functional. The PM8011 has an embedded 600MHz MIPS processor and is paired with 512MB of DDR2-533. (via Anandtech)

Possible replacements and hacks for the Promise Pegasus:

* replace the internal hard drives with SSD drives: at the current date this still has stability issues. We are waiting for updated drivers or a response from Pegasus about the current freezes and issues with SSD drives. If you really have to test it out, make sure you get 6Gbps SSD drives. 2.5inch drives will also fit in the caddy.

* replacing the internal drives with 3TB drives: this is a confirmed and stable way of pimping your pegasus drives. Pegasus comes with 2TB Hitachi Deskstar 7K3000 drives, so make sure you are getting 3TB drives from the same brand. We can recommend the Hitachi 3TB 7200RPM drive, but also we can confirm the Pegasus runs with the Western Digital 3 TB SATA II Intellipower 64 MB Cache Bulk/OEM Desktop Hard Drive and the SEAGATE Barracuda XT 3 TB SATA 6.0 Gb-s 64 MB Cache. Just keep in mind, not to mix up brands: you should get 6 times the same hard disk for the most stable system.

* replacing the internal drives with SAS 6Gbps Hard Disks: while this would render the promise pegasus a real pro system that is rock stable, drives should be used, that offer a compatible SAS-connector. Since SAS-drives are generally compatible to SATA-connectors, we can generally recommend the Seagate Constellation ES.2 3 TB Internal Hard Drive SAS 600 7200rpm 64MB

Conclusio: The Promise Pegasus is a fast solution for great read/write speed plus the extra feature of having the possibility to daisy-chain more Pegasus devices together, to increase the space when needed. Compared to the Data Robotics DROBO PRO System, it only offers 1-drive fail (1 drive can get corrupted, if 2 fail your data is lost) while the DROBO offers dual drive redundancy. Also, the DROBO PRO supports different sized drives, while you can only put drives of the same size (and it is recommended to also only use the exact same drive models) in the Promise Pegasus.
Overall, nanofunk is recommending the Pegasus R4 and R6, because of its faster speed and possibilty to enhance the system. Since we had our DROBO PRO replaced twice (the unit itself was faulty) we are currently fully in favor of the Promise Pegasus.

After days of trying to figure out what is really the issue, we found that most of the times device drivers or other third party apps are mostly causing the crashes - but also CPU-intensive apps such as games sometimes bring the system down. Solution? Yes, there is one: change your system to a 32bit Kernel.

1) The bootup way (temporary solution, great for testing)

If you just want to test if changing to 32bit changes anything, you can reboot your mac and hold down the "3" and "2" keys as soon as you hit the power button. This boots up your Apple in 32bit mode temporarily. If the system

2) The Terminal Way (see the Apple Support Document for more information)

sudo systemsetup -setkernelbootarchitecture i386

if you need to change your system back to normal for any case, you can enter the following command into Terminal.app:

sudo systemsetup -setkernelbootarchitecture x86_64

Just to make it clear: your applications will still run in 64bit mode, you can make sure this is the case by hitting cmd+i on the application icon and see if "Open in 32-bit mode" is checked. See this article from simplehelp with details and images on 32-bit mode. So why should I care then, you might ask: since drivers and 3rd party apps and extensions that are loaded on startup are most of the time the issue with system freezes and hangs, changing to a 32bit kernel did the trick for us and now we have a stable 2011 MBP quad-core system.

[UPDATE] 10.6.8 seems to work with 64bit kernel much more stable than 10.6.7. Still, to be on the safe side we are using the 32bit kernel and had no freezes yet.

The release notes according to Ableton:

Improvements and feature changes

• Added bank names for Amp instant mapping, which in turn fixes a problem with the Axiom DirectLink control surface.
• Fixed problems with the Mbox2 related to non-integer sample rates.
• Added control surface support for Akai Professional LPD8.
• From now on, betas will ask to check for updates only once a week, and starting a week after first run.
• the "Peek" button on the Axiom Pro now works as a momentary control

Max for Live improvements and feature changes

(Note: Most of these changes require an update to the latest version of Max, which is available from http://cycling74.com/downloads/)

• Devices inside Racks can now be accessed via the Max for Live API
• Return tracks can now be observed via the Max for Live API

Live devices and parameters can now be much more easily mapped to controls in Max devices. Devices can safely be moved within a Live Set without breaking any existing mappings. Also, devices and Sets can be saved and loaded without breaking existing mappings. The following changes make this possible:

• There is now a simple way to observe the selected parameter via the Max for Live API, using "live.path live_set view selected_parameter." This can be used, for example, to build a custom "map mode" to quickly map parameters in your Live Set to controls in a Max device.
• Live objects like tracks, clips or parameters retain their identity (id nn) during operations like move, save/restore, cut/paste, delete/undo, the identity is global and can be communicated via Max's Send and Receive objects.
• live.object, live.observer and live.remote~ are now able to remember their target objects when Live sets or presets are saved and restored or when objects are moved within the Live set.
• Ableton protected samples can now be used in Max for Live device, via the Live.drop object
• fixed a bug where clip slots would lose their id on moving a clip
• fixed navigating and observing control surfaces via the LiveAPI
• Repeatedly calling "goto control_surfaces" on a live.path object was producing a different id each time
• Fixed a crash that occurred when deleting a Rack containing a Max for Live device, where a Remote~ was controlling one of the Macro knobs, and then Undoing the delete action
• Navigating the Live Object Model is about two times faster
• Fixed a crash that occurred when moving tracks that contained automated Max for Live devices
• Fixed a crash that occurred when replacing one Max for Live device with another if certain modulations existed
• If a native Ableton device has parameters that are mapped to a Max for Live device, the mappings will be preserved after hot-swapping the Ableton device
• The Track/Chain Activator and Song Tempo are now accessible via the "selected_parameter" property and their path can be queried
• "live_app" and "live_app view" can now be persistent in the Max for Live API
• Mapping some mixer component on the APC40 (for example) through the Max for Live API wouldn't work without pressing the Pan or Send button on the APC40, which reset the component. This has been fixed.
• "goto live_set tracks 2 devices" in a set with one track produced id -1, which is wrong. Now it produces id 0.
• If the LOM id of the observer is persistent, the property of an observed LOM object is persistent, even if it is dynamically changed using a message.
• Max for Live devices that control the Application objects (e.g. live_app (live_app view)) or which get information about the Live version and document name (e.g. get_major_version (focus_view)) will work when loading the Set, without requiring user interaction.

Bugfixes

• Fixed a problem with nested Macro mappings when the range of a mapped ON/OFF switch, or of a selector switch (such as a filter type switch), is not at default values. In such a case, the right value would be displayed, but the wrong value would be used internally.

Note: with this fix, you will now hear what you see, although this may mean that previously saved Sets that contained the bug may sound different.

• Deleting time in the Arrangment View could delete crossfades in certain cases.
• When using an APC40 and Scratch Live, Scratch Live would sync to the APC but would not initially show the return tracks .
• If the VST plug-ins folder contained shorcuts/aliases to files in another location on disk, the folder would be rescanned each time Live starts. This has been fixed.
• When launching a scene with via Key/MIDI mapping or a control surface such as the APC40 while "Select on Launch" is enabled, the Master track became selected. This would result in the selected device switching to the device on the Master track. Now, launching a scene via remote control behaves the same as when launching with the mouse; the device selection doesn't change.
• Fixed a crash that could occur when clicking the status bar, while it displays "Media files are missing", and just after having adjusted a Macro knob.
• Fixed a crash that occurred when adding an audio clip, scrubbing in the clip detail view, and pressing Undo while the mouse was still down for scrubbing.
• Fixed a crash that could occur when switching between certain audio interfaces on a Mac
• updated Complex Pro libraries to prevent a potential crash
• fixed Transport button behavior for the Akai MPK61 and 88
• fixed a crash that could occur when opening very large Live Sets
• fixed a crash that could occur when a clip referencing a sample was in the clipboard and when pressing the Edit button (in the File Manager or Clip View) to set the sample offline and then on again
• Holding a note while recording a MIDI clip and stopping the transport while the note is held would result in a silent note during play back
• If a clip was in Gate Mode, releasing the trigger key within the launch quantization period would still launch the clip
• Fixed a bug that caused a clip in Gate launch mode to continue playing after clicking another clip for a very short time
• Fixed a bug in how MIDI effect Racks handle latency. Now chains compensate properly against each other

CODED CULTURES. Creative Practice out of Diversity

MO 4. April  2011, 19.00 Uhr

KUNSTHALLE WIEN - project space karlsplatz http://esel.io/termin/50759

Zur Präsentation sprechen: Christian Reder (Universität für angewandte Kunst Wien), Georg Russegger (Coded Cultures), Matthias Tarasiewicz und Michal Wlodkowski (5uper.net)

Eine Veranstaltung im Rahmen der Kooperation zwischen der Universität für angewandte Kunst Wien und der Kunsthalle Wien angewandte@project space mittwochs (www.dieangewandte.at)

http://j.mp/codedbook
http://codedcultures.org

While the new Apple MacBook Pro Machines are really fast desktop-like speed packed monsters, it seems like they also have severe hardware design faults as outlined by zdnet and ifixit. With a geekbench score over 10.000 the new MacBook Pro (early 2011) beats the Mac Pro (Early 2009) Intel Xeon W5590 3.33 GHz (4 cores). All the good talk and benchmarks cannot make up for the current problems Apple users are facing with their brand new machines:

• too much thermal paste seems to raise the CPU temperature
• fans running at 6000rpm+ constantly
• frequent kernel panics or freezes that are maybe related to the new GPU
• heating issues with the whole MBP early 2011 series

Come on Apple, wake up and fix those machine fast, as lots of us could benefit from a stable quad-core laptop solution (talking audio plugs and realtime audio performance).

We can recommend to tell apple to send the replacements before they pick up the faulty machines, so it is easier to transfer the data already on it. (apple care even suggested it this way)

[UPDATE] Gregg Keizer from Computerworld also writes about quality concerns regarding the new Apple Notebooks and there is also a discussion about actual "Overheating" going on in the Apple Forums. Well, I can confirm the issue exists and the current MacBook Pro Models freeze a lot. If it is a hardware, software or firmware issue remains unclear.

[UPDATE] There is a macrumors forum thread discussing that there were issues with the 2010 MBPs as well when they came out. Another thread at macrumors forum tries to sort out if it is a hardware or software issue.
Some people suspect it is related to internal graphics switching, but there really seems to be something going on since also reports on the apple discussion forums are increasing.

[UPDATE] as of 2011/03/14 macrumors suggest in their forum to "go 2010 or wait for ivy bridge". The early 2011 version of the MacBook Pro das 45W TDP vs. last generation's 35w. That's a big increase which automatically makes the whole series go louder and more hot than the 2010 model.

[UPDATE] 2011/03/21: Macrumors posted a story: "2011 MacBook Pros Crashing Under Load?"

[UPDATE] 2011/03/21: Mac OSX 10.6.7 Update was just announced by Apple. Unfortunately, on the two machines we have here, the update does not fix anything related to CPU temperature. Still there are frequent freezes as well.

[UPDATE] 2011/03/22: dailytech confirms that New MacBook Pros Freezing When Stressed, Update Adds More Problems

[UPDATE] 2011/03/28: we received our two replacement MacBook Pros. They don't seem to have any issues and also still did not freeze on us! Also the fans are not spinning like crazy anymore! For all people affected by any of the issues reported above: get your Notebooks replaced! Apple is aware of the issues and replaces faulty hardware (we had to wait for two weeks though).

[UPDATE] 2011/04/23: the current Systems freeze 2-3 times a day. Not all the issues seem to be solved! You should definitely get a late 2010 model, if you need a highly stable system!

[UPDATE] 2011/11/01: Apple replaced one of our 15-inch MBP MC721LL/A machine and the freezes are not appearing anymore. Reports from other users that bought an early 2011 model are positive, so currently the advice would be to get a refurbished Apple MacBook Pro MC721LL/A 15.4-Inch Laptop even before getting a MD318LL/A 15.4-Inch (late 2011) version, not only because of saving some bucks, but also since the Apple MacBook Pro early 2011 performs better in most of the situations compared to the late 2011 version.

Besides the heating issues, there are also reported "intermittent flickering, brief blackouts and other periodic but noticeable flaws" reported in the Apple Discussion Forums. We are getting replacement Machines - let's see if there is any improvement after the first round of shipping!

"lion is booting with some old xpc version" ~ Netkas

Some people are claiming to boot the recent Mac OSX 10.7 Lion with the XPC Bootloader project. More and more voices are popping up, so I am just pointing in the right direction, since "Any and all information about downloading and installing Lion, as well as any details are under Non-Disclosure Agreement from Apple.". You probably find updates on Netkas' Blog as well.

UPDATE: see a posting/ short guide on a popular board as well: Mac OS X 10.7 Lion [Beta/HowTo]

A fresh book, discussing creative practices of the fields of media arts ("art with media" and "art through media") in europe and asia (mostly japan). To quote the official press statement: "International Authors from Europe and Asia explain the impact of codes and cultures on society". The book is available on Amazon EUROPE and the US Amazon site.

The short information is as follows:

"Through the transformations of creative cultures, enabled by digital media and global communication networks, new practices and ability profiles of artistic delineations and explorations are gaining grounds. New global codes and cultures are emerging out of diverse, intercultural abstractions and inventions, connected through new ways of exchanging ideas and sharing knowledge. At the present day it is difficult to predict which catalysts and draft programs can be put into effect for the development of near future playgrounds in this domain. By offering several perspective shifts on developments in digital realm and mediated reality, exemplary theories and projects on the intersection of different codes and cultures have been collected for this book. Presenting essays, reviews and interviews from international artists, theorists, researchers and curators, gives the reader an overview on new vectors of creative and artistic projects departed from digital media related art and cultures. It introduces new and critical models of observations on the intersection of disciplines like art, science, technology and design."

Coded Cultures. New Creative Practices out of Diversity (Georg Russegger)
Projects ... Project Worlds ... Project Cultures (Christian Reder)
Co-Evolutionary Anthropology of the Medial / CAM (Manfred Faßler)
Art is about the Future; Otherwise, Nothing (Hiroshi Yoshioka)
A Political Intervention in the Digital Realm (Marina Grzinić)
Assembling Art, Design, Technology and Media Culture: The Challenge of Japanese Device Art (Machiko Kusahara)
The Future of Creative Commodities in the Coded Cultures (Dominick Chen)
Coded Cultures Between New Media Art and Production Cultures (Matthias Tarasiewicz)
The Balance of my Wildness and my Intelligence was Way Off (David d’Heilly/Ujino Muneteru)
Mouseology—Ludic Interfaces—Zero Interfaces (Mathias Fuchs/exonemo)
Imaginary Agents—Flowers and the Common (Verina Gfader/BCL)
Ludic Chindogus as Erotic Toys— Pleasure, Play, and Politics Beyond Materialism (Margarete Jahrmann)
Urban Playgrounds, Alternate Games—on Urban Play, ARGs, and Psychogeography (Verena Kuni)
From Somebody’s Desire to Everyone’s Responsibility (Yukiko Shikata/UBERMORGEN.COM)

via fffff.at: "The 2nd edition of the SPEED SHOW presents again a wide selection of pop.net.art pieces and addresses various developments of performance related but still screen based art works. Most interaction and communication on the web bears it’s very own performance character. One could say Facebook is a huge mass performance piece. net.art in it’s classic form could be considered a performance by interactivity as well. In recent years artists from different fields work increasingly in a mix of performances and digital interventions. In some cases the screen itself, the beholder of the pixel is subject to fluctuations. In other works the performance is acted out by a hysterical mass or just by the code."

Thursday, 8th of July 2010, 19:00 – 22:00 h // Kaukas Handy Shop, Äussere Mariahilferstr. 178, Vienna (Map)

"Hit an Internet-cafe, rent all computers they have and run a show on them for one night. All art works of the participating artists need to be on-line (not necessarily public) and are shown in a typical browser with standard plug-ins. Performance and life pieces may also use pre-installed communication programs (instant messaging, VOIP, video chat etc). Custom software (except browser add-ons) or off-line files are not permitted. Any creative physical modification to Internet cafe itself is not allowed. The show is public and takes place during normal opening hours of the Internet cafe/shop. All visitors are welcome to join the opening, enjoy the art (and to check their email.)"

Participating artists will be:

- Margarete Jahrmann & Renate Christian

- JODI

- JK Keller

- Greg Leuch

- Michael Marcovici

- Will Moffat & Peter Burns

- monochrom

- Evan Roth

- Sakrowski

- Gordan Savicic

- Michael Schieben

- Georg Schütz

- Chris Sugrue

- Philipp Teister & Kim Asendorf

- UBERMORGEN.COM

- Jamie Wilkinson

• A very short MIDI note at the beginning of a clip would not be audible. [6130]
• Recording via 'Resampling' would not properly compensate latency. [6124]
• Under certain conditions, it would be possible to get 2 Arranger tracks highlighted. [6144]
• Using the Launchpad as control surface and additionally for manual mappings would not always work properly.
• When installing Live Packs which have dependencies to other content, Live would show the corresponding message twice. [6153]
• Using a Rex file could crash Live. [6157]
• 'lock control surface' function would not properly work in user remote scripts. [6064]
• A particular Live set could not be loaded and would lead to a 'Invalid Product ID Error' message. [6165]
• In the Arranger, punch In/Out would delay notes by the 'punch in time' in beats. [6167]
• Using the pads of the Akai MPD18 would not work properly.
• Having a Live set with particular Drum Racks could increase the CPU usage of the main thread, which would result in very slow graphical updates. [6181]
• Installing a new Library from within a second running instance of Live could crash Live. [6171]
• Certain operations like sample crop/reverse/replace would remove the tempo envelope. [6179]
• Using Novation's Launchpad, when switching between Automap and Live control would not work properly.
• Under certain conditions, editing or creating parameter automation would not work properly. [6188]
• Playing a 32-bit audio file immediately after a 16-bit audio file could cause a click in the audio. [6152]
• Moving the last track out of a track group onto a closed group track in the Arranger could crash Live. [6193]
• In the Auto Pan device, switching shape to random would not show the 'Width' knob. [6192]
• Loading a Max device would crash if Pluggo was already active.
• It would not be possible to create a new Project in the File Browser if the root is set to 'Workspace'.
• Fine tuning of macro knobs would not work via key modifier. [6180]
• Starting clips via the Launchpad while changing parameters via mouse could crash Live. [6143]
• Moving the mouse over a certain Sampler preset could crash Live. [6207]
• Loading a Live set containing not yet authorized add-ons could crash Live. [6203]
• Under certain conditions, fade creation would not work properly. [6195]
• An Ableton preset of a third party plug-in would not change the On/Off mapping range. [5652]
• Receiving an invalid parameter index from Max could crash Live.
• Inverting a macro mapping range would not work properly. [6238]
• Under certain conditions, extracting an existing groove from a clip would crash Live. [6235]
• Having a Max device sending many blob changes during saving could crash Live.
• A malformed database file would interrupt user interactions like renaming files, saving presets, recording, etc. [6230]
• Having a particular Live set loaded and searching for media files could crash Live. [6241]
• On Mac OS X, under certain conditions, making Live the foreground window could lead to a crash.
• The context menu of a frozen clip would have enabled audio fades commands. [6253]
• In the Arranger, changing the mixer properties like volume, pan etc. would not show the changed value in the status bar. [3238]
• Having a multi selection of Arranger track and use the 'Show Automation' command would destroy the selection. [6243]
• Choosing a custom VST directory within the preferences would not keep this new directory until the next start of Live if the required rescan leads to a crash. [6190]
• On Mac OS X, duplicating a track with Fab Filter Twin 1+2 could crash Live. [6063]
• The Looper display would use the wrong colour in 'play' mode. [6234]
• Holding SHIFT + Space Bar would make the transport play button flicker. [6227]
• The area to click on an Arranger clip would be too small by a few pixels. [6261]
• Particular Live sets, especially with a lot of transient data, could not be loaded. [6263]
• Pasting 3 unstretched and crossfaded Arranger clips could crash Live [6289]

What is a monome? "a reconfigurable grid of backlit keypads which connects to a computer. interaction between the keys and lights is determined by the application running on the computer. there is no hard-wired functionality."

(see more videos of the monome on vimeo)

Instruments, Audio Effects, Midi Effects - but of course, this is not all of the cake. Imagine you can create user-interface elements however you please and also assign MIDI to that interface parts. This brings Ableton Live huge steps forward: the possibility to extend ableton to include a full featured audiovisual prototyping environment and to interface with the world: be it sensors, webservices or other Ableton Live installations.

1. Installation and Setup

Ableton Live Suite 8.1 (1.4GB download size!) and max/msp 5.1. are out in final versions as of today. As a happy Ableton and max/msp owner, the crossgrade was only 79€ for me (including VAT).

Right after Live starts up it has to be authorized, so all the extensions would be usable. After everything is set up, the following popup should be visible:

2. Overview

There are 3 different ways to include Max for Live patches into Ableton.

a) Instruments
Instruments would be a Synthesizer, a Sampler, etc.
Input: MIDI, Output: Audio

b) Audio Effects
Imagine any Audio Effect you can build here - let's say a Reverb for now.
Input: Audio, Output: Audio

c) MIDI Effects
Controlling and modifying the MIDI flow - like arpeggiators, mathematical functions, midi-sequencers, whatever.
Input: MIDI (or controller values), Output: MIDI

Of course, the whole bandwidth of max/msp is much more than only that. With Max for Live, now it is possible to use sensoric interfaces directly with Ableton Live: such as the i-cube, the arduino microcontroller board and so much else (for example the wireless MIDI Glove).

Interfacing to the "outside world" is also quite easy with max/msp: the netsend and netreceive objects let you connect via socket to e.g. a webservice, RSS-feed, whatever.
See also: Max for Live and twitter integration, the shoutcast~ and netsend~ objects for sending your audio stream around.

3. First Steps

In the screenshot above you see where the "Max Instrument" can be found in Ableton Live. In the right corner you can also see the first Instrument example I built: a sine wave oscillator.

a) Example: Sine Wave Oscillator Instrument with Signal Oscilloscope [download the patch]

This is a very basic patch: notein gets the MIDI note played, ddg.mono simplifies monosynth creation by dealing with last-note priority and note-on/note-off pairing, mtof (MIDI to frequency) translates the MIDI note to a frequency which is pushed to the cycle~ object (sine wave generator). The cycle~ then sends its audio-output to plugout~ which gets routed back to Ableton Live. Play the Sine Wave Oscillator as you would play any other instrument in Ableton Live: either via keyboard or via MIDI tracks.

b) Example: Simple Delay [download the patch]

This is also a rather simple patch. The incoming signal is delayed for a specific amount of time using the tapin~ and tapout~ objects. The tapin~ object is a continually updated buffer that stores the most recent signal it has received, and tapout~ accesses that buffer at one or more specific points in the past. The sound is mixed with its delayed version to create a sort of reflection.

What you can see in the screenshot below is how to implement images in patches that get loaded also to Ableton (using the fpic object) and which part is actually displayed in Live: everything below the black line is "invisible".
Test out the patch with the presets and also try to change the tapin~ and tapout~ values (use it as an audio effect on any soundfile. percussion or drums may be the best to hear the difference).

c) Example: 8-Step-MIDI-Repeat [download the patch]

The patch is also really simple: a line object counts from 1 to 9, resetting itself to 1 when it reaches 9 (=8 step), the select object checks for values between 1 and 8 and sends the according bang messages to the lights on top. the lights also trigger the int object, that saves values and outputs them on demand. this int objects are used to save the state of the checkboxes.
everytime an int object outputs a 1 (checkbox=checked), the select object on the right side sends the last notein event to a noteout object, causing the last note to be played again.

The difference between the two above screenshots is: hidden objects. Objects that you don't want to be visible in your Ableton Live surface you can hide with Object -> Hide on Lock (Apple+K).

Patch No.3 repeats your last played note in a step-sequencer style: however you checked your checkboxes, every time the light is active over a checked box, the last note will be played again. Test the 3 different presets and also the freestyle option (entering numbers on your own). Be careful with too low and negative numbers.

3. Conclusion

Max for Live is not only a very huge extension to Ableton Live (as stated above, a lot is possible now, from interfacing with hardware to webservices) but also finally a step in the right direction for the said to be lazy "ableton users": while the mainstream of ableton users use similar effects and instruments, this will change from now on. Instrument-directories such as on maxforlive.com feature lots of already available patches.
Another positive point is since max/msp is there much longer than Ableton Live and there is lots of educational content, tutorials etc. around. This could bring more people to look and learn about DSP and sound engineering als well as the physics behind audio.

Max for Live has still a few bugs - but what is there already is really something! Maybe one has to see it like this: in the end max/msp got a really cool sequencer ;)

4. Ressources

* ableton.com maxforlive product page
* cycling74 product page for max/msp
* maxforlive.com
* cycling74: the edit button has been pressed
* max 5 help and documentation

Technorati Tags: ableton, max msp, live, max for live, sound, review

2 new Player Widgets are available. With the new "Artwork" and "Mini" Players, this makes a total of 3 available Player Widgets for SoundCloud.

While the Artwork Player is a great way to showcase album art in your SoundCloud tracks, the Minimal Player is great for embedding where there is not much space available. All in all, the two new Widget options are giving you more options on how to feature your tracks without having the usual SoundCloud look, that is the same on all sites using it (except color adaptions, which were possible before).

Stats have been totally revamped: Who, What, When, Which and Where can be found out for your Tracks now - but - depending on your account type. Full Stats are only available for Business PRO users, while the other accounts have different detail levels. The difference from the Premium SOLO to the full stats seem to be, that embedded, linked or posted tracks are not statistically tracked.

The sharing was also reworked, here's the quote from the official sendout: "Much asked for - here it is: private track sharing via secret link. Simply upload a track or set, generate a private link for it, then quickly share via email or IM. Plus with newly the added privacy options, you can now control if you want people to comment or your tracks or not, hide the stats around your track and make comments only visible to yourself. Perfect for when you're doing promo or need to keep the number of recipients private."

Finally, there are 2 Desktop uploading apps available as of today: "Scup and CloudPost are two nice little apps that let you upload your tracks and sets to SoundCloud right from your desktop". And "one more thing": the iPhone App for SoundCloud which can be downloaded for €0,79 or $0,99. Detailed reviews of all the apps right after I tested them.

Cheers and happy uploading.

Most of all, 20% off Live 8 and Upgrades, some users even get free Upgrades, and 10 Free Downloadable Live Packs from Various Artists. Sadly for Ableton Suite owners there is no special discount or goodie - but for people owning Live 8 or 7 - or even the Lite versions - now it's a good time to Upgrade! The release for Max for Live was set on the 23rd November 2009 and a new stripped-down Ableton for starters is ready: Live Intro.