Canon 5D Mark II – Merging AJ and Unified Magic Lantern versions
Magic Lantern, the alternative firmware for Canon cameras is currently running on 550D/T2i, 60D, 600D/T3i, 500D/T1i, 50D 5D Mark II and 1100D. The Unfied Version is not running on the 5D MKII yet (although you can get early access by donating via paypal) - but the long-term plan is "merging the AJ 5.x firmware with the unified one currently running on smaller cameras". This is good news indeed (see the HDR-Video option of ML Unified). You can also read the review of ML Unified on EOSHD.
Meet the new 5D Mark II Magic Lantern Unified from Andrew Reid on Vimeo.
here is out only wanted feature:
* more work on HDMI output for the 5DMKII so it is fully usable with the Atomos Ninja
You can support the development by sending them a small donation: http://goo.gl/gvD8Q. Here is the original sendout from the magic lantern user group:
Following the small, but positive feedback from this thread [ http://bit.ly/ml-unified-5D2 ], I'm glad to announce the next long-term direction of Magic Lantern: merging the AJ 5.x firmware with the unified one currently running on smaller cameras.
I need your help. As explained in the previous post, a good port (one suitable for paid jobs) requires me having a camera for testing. On 550D/60D ports, crashes are almost non-existent, audio meters are calibrated, HDMI monitors are fully usable and so on. So, if you like this idea, you may help me buy a 5D2 by:- a small donation (you don't need a PayPal account for this): http://goo.gl/gvD8Q
- or by spreading the word, since right now there are not many users familiar with both ML versionsFeature-wise: I'd like to ask the users who have tried both AJ and Unified ML (especially those using both versions in a regular fashion) to comment on this. Main question: what's the best of both worlds? What do you like better in AJ 5.x and what do you like better in Unified? Big thanks to all ML community for making it possible!
Alex
Coded Cultures – New Media Arts Festival in Vienna, Austria
This is an information from our Partner, 5uper.net:
In Autumn of 2011 the Festival Coded Cultures takes place for the 4th time, this year focusing on the topic "City as Interface". Ever since the foundation of the Festival in 2004 lay the general emphasis on creative practices of cultural development on the intersections of art, technology, science and design. It is our concern to decode de- velopments, concepts and projects in those “coded” structures of digital and (new) media production, which won’t open up easily to broader audiences. Over the years the alignment of Coded Cultures and its variations were orientated internation- ally with the focus on eastern Europe in 2004, Brasil in the following years and Japan in 2009. This year, Coded Cultures involves mainly participants from Europe with prominent attendees such as transmediale from Berlin, Media Lab Prado from Madrid, Amber Festival from Istanbul and the Enter Festival from Prague.
Coded Cultures 2011 presents itself on many different locations in Vienna, with the main focus on the Donaukanal (Danube Channel) and the surrounding Viennese city districts.
From 21st to 25th of September focus days will be held, which mainly will take place at the Viennese Danube Channel, the 2nd district of Vienna, Museums Quarter Vienna, the Badeschiff and the Odeon Theatre. From the 26th of September to the 2nd of Octo- ber workshops, presentations and artist-talks are taking place. Partners are Transmediale Berlin, Media Lab Prado Madrid, Enter Festival Prag and Amber Festival Istanbul (among many others). On the 1st of October the Festival is ending with a big event at the Badeschiff in cooperation with the viennese Waves Festival.
BACKGROUND INFORMATION
CODED CULTURES was initiated by the group »5uper.net«: a network of producers, theorists, artists, designers, architects and programmers, which is active in the field of knowledge-work based on digital media related forms of art and culture. Recently, the Book "Coded Cultures: New Creative Practices Out of Diversity" published by Springer.
http://codedcultures.net
http://5uper.net
http://www.facebook.com/codedcultures
http://twitter.com/codedcultures
Coded Cultures: New Creative Practices Out of Diversity
/mode +v noise workshop in Arnolfini, Bristol (UK) DEADLINE: 16 November
"/mode +v noise is an intense 3 day workshop for up to 10 participants, looking at how to build an Internet chat based music platform.
The workshop will give you the opportunity to create your own software sound synthesiser and different chat bots that will be used to manipulate and turn your chat into a music score. To achieve this, we will use free software such as Python, Supercollider, Puredyne, Emacs and more!" (via rhizome)
http://goto10.org/mode-v-noise-at-craftivism/
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Four Thirds Lenses on MFT (Micro Four Thirds) Cameras: but is there a way to mount FT on Canon EF?
With the Four Thirds Standard being around for quite a bit longer than the MFT (Micro Four Thirds) there is an actual way to use those lenses on a MFT System such as the Panasonic GH2 or any other Micro Four Thirds Cameras
Unfortunately, the optics of 4/3 and MFT (Four Thirds and Micro Four Thirds) imply, that the image size projected on the sensor is smaller than any full frame or APS-C sensor so there would be a massive vignetting (a reduction of an image's brightness or saturation at the periphery compared to the image center), producing pictures as the ballon-picture on the left. A gradual decrease in light intensity towards the image periphery happens, so it actually does not make so much sense to use MFT or 4/3 lenses on systems with a larger sensor. Still it totally makes sense, to use lenses designed for 35mm or larger than four thirds on any FT/MFT system, such as the Redrock Micro LiveLens, Active Lens Mount for Canon EF Lenses. In another post, I will write a comparison on legacy lens systems and the usage on MFT/FT and EF systems.