Meet the new 5D Mark II Magic Lantern Unified from Andrew Reid on Vimeo.

here is out only wanted feature:

* more work on HDMI output for the 5DMKII so it is fully usable with the Atomos Ninja

You can support the development by sending them a small donation: http://goo.gl/gvD8Q. Here is the original sendout from the magic lantern user group:

Following the small, but positive feedback from this thread [ http://bit.ly/ml-unified-5D2 ], I'm glad to announce the next long-term direction of Magic Lantern: merging the AJ 5.x firmware with the unified one currently running on smaller cameras.
I need your help. As explained in the previous post, a good port (one suitable for paid jobs) requires me having a camera for testing. On 550D/60D ports, crashes are almost non-existent, audio meters are calibrated, HDMI monitors are fully usable and so on. So, if you like this idea, you may help me buy a 5D2 by:

- a small donation (you don't need a PayPal account for this): http://goo.gl/gvD8Q
- or by spreading the word, since right now there are not many users familiar with both ML versions

Feature-wise: I'd like to ask the users who have tried both AJ and Unified ML (especially those using both versions in a regular fashion) to comment on this. Main question: what's the best of both worlds? What do you like better in AJ 5.x and what do you like better in Unified? Big thanks to all ML community for making it possible!
Alex

Magic Lantern Unified looks promising: High Dynamic Range VIDEO for Canon cameras:

============== UPDATE ================
available for download now!
magiclantern.wikia.com/wiki/Release_2011Dec22
======================================
Demonstration of the new and free High Dynamic Range VIDEO feature for control over ultra contrast situations.

Discussion, workflow, RAW footage, FAQ:
vimeo.com/groups/74140/forumthread:250295

Magic Lantern is a custom firmware add-on for Canon dSLR cameras. It is not a hack, or a modified firmware, but it runs alongside Canon's own firmware, booting from the card every time you turn the camera on. The only modification to the original firmware is the ability to boot software from the card.

magiclantern.wikia.com/wiki/Unified

HDR Video: what does it mean? It does not output pre-processed HDR video from the camera, rather it blends the alternative high ISO / low ISO frames together in post (see this discussion thread at Vimeo). There is of course a difference if you use two Canon 5D MKII for generating a HDR movie (as this guy did) compared to this "hack", although the development of Magic Lantern continues to impress!

Keep on rocking! We can't await clean HDMI output for the 5DMKII to use it with the Atomos Ninja (if this hack is possible at all...)

Minicraft is an 8-bit game written in Java (playable in the Browser or via a downloadable version) where resources and materials have to be collected to craft and create something new. Persson told, the higher aim of the game is to kill the only other creature with "consciousness" to be alone forever.

Canon also announced a real 4k Camera to be available somewhere in the next year. So 2012 could become the real year of DSLR Video.

Here is the original press release from RED.COM
(via red.com/press):

RED STUDIOS HOLLYWOOD, Hollywood, Calif., November 3, 2011 – RED Digital Cinema has officially released its third industry-changing camera, the Scarlet-X. With burst modes up to 12 fps at full 5K resolution alongside 4K motion capture from 1-30 fps, the camera allows professional photographers and cinematographers to simultaneously capture motion footage and still content. Never miss a shot. Ever. Scarlet-X’s compact design, endless modularity and advanced feature set provide a future-proof solution catering to every shooter’s needs, leaving one-dimensional DSLRs and 1080p camcorders in its wake. Priced at under $10,000, Scarlet-X advances RED’s vision to democratize superlative cinema and professional photography.
Scarlet-X comes standard with a Canon EF or PL mount, which can be swapped easily using Scarlet-X’s interchangeable lens mount system. Panavision, Anamorphic, and Nikon lenses are also compatible with the camera, providing ultimate freedom when it comes to creative decision-making. The addition of HDRx reaches up to 18 stops of dynamic range, bringing digital images closer than ever to the natural perception of the human eye.
With the innate ability to capture 5K REDCODE RAW stills and true 4K motion footage, Scarlet-X produces visually lossless files that can easily be graded and finished. Combining all of the finest qualities of cinema and photography into one camera, Scarlet-X allows the customer to have the best of both worlds. Compromise nothing. Shoot everything.
“The future is dependent on those who push… not those who react,” said Jim Jannard, founder of RED Digital Cinema.
RED is now taking orders on RED.com for Scarlet-X.
Since delivering their first camera – the RED ONE – in 2007, RED Digital Cinema has jumped ahead of the pack over camera companies that had dominated the market for decades. Feature films shot with RED cameras such as the Academy Award-winning movie “The Social Network” and the more recent “Contagion” have contributed to a lineage of cinematic success. Since the 2011 introduction of DSMC (Digital Still & Motion Camera) technology, photography icons like Bruce Weber, Greg Williams and Inez + Vinoodh have used RED cameras to shoot covers and spreads for the some of the most influential fashion magazines in the world.
Follow the announcement at REDUSER.net/SCARLET.

[Update 20.11.2011] Philip Bloom posted a balanced take on the Scarlet. Worth a read.

Recommended reading on this topic: The Truth About 2K, 4K and The Future of Pixels

Canon recently unveiled its C300 cinema camera at Hollywood's Paramount Studios, in front of a huge crowd. Cameras such as the Arri Alexa and RED EPIC dominate the digital filmmaking world - the Canon C300 aims at people that are into professional DSLR Video and want to take a step further.

It will cost somewhere in the range of $20,000. It contains a Super 35mm CMOS sensor and delivers up to 4K resolution with the outfit's new "top-end" EF zoom lenses, which come in four flavors: two 14.5-60mm lenses and two 30-300mm. And the lenses keep on coming, with three EF prime lenses in 24mm, 50mm, and 85mm variations. That CMOS sensor offers 1920 x 1080 pixels for the reds and blues and 1920 x 2160 for greens.

Mobius - 1080p HQ from Vincent Laforet on Vimeo.

                            Ü   ß             ß   Ü
           Ü           ÜÜÛß                         ßÛÜÜ           Ü
 ÜßßÛÜ ÜÛß         ÜÜßÛÛß                             ßÛÛßÜÜ         ßÛÜ ÜÛßßÜ
Ü    ÞÛÜß     Ü ßß ÜÛÛß   t h e  c r a c k e r s  o f   ßÛÛÜ ßß Ü     ßÜÛÝ    Ü
ßÜ    ÛÛÛÜ ß ÜÜÜß ÛÛÛ                                     ÛÛÛ ßÜÜÜ ß ÜÛÛÛ    Üß
  ß ÜÜ ßßßÜßÛÛÛß ÛÛÛ    ÜÜÜ       ÜÜÜ     ÜÜÜ    ÜÜÜÜ  ÜÜÜ ÛÛÛ ßÛÛÛßÜßßß ÜÜ ß
        ÛÛÛ ßÛß ÛÛÛ  ÜÛÛ²²ÛÛÜ  ÜÛÛÛ²ÛÛÜ ÛÛÛÛ²ÛÛÜ ÞÛ²²ÛÛÛ²ÛÝ ÛÛÛ ßÛß ÛÛÛ
         ÛÛÛ ß ÛÛÛ  ÛÛ²ÛßßÛÛÛÝÛ²ÛÛßßÛÛ²ÛÞÛ²ÛßÛÛÛÝ ²²ÛÛßÛÛßß  ÛÛÛ ß ÛÛÛ
          ÛÛÛ ÛÛÛ  ÞÛÛÛÝ  Û²ÛÞÛÛÛÝ   ÞÛÛ ÛÛÛÝ Û²Û ÞÛÛÝ        ÛÛÛ ÛÛÛ
           ÛÛÛÛÛ   ÞÛ²Û  ÞÛÛßÞÛÛÛ    ÛÛÛÝÛÛÛ ÜÛÛÛÝÛÛ²ÛÜÜÜ      ÛÛÛÛÛ
            ÛÛÛ    ÛÛÛÝ      Û²ÛÝ    ÞÛ² Þ²ÛÛÛ²Ûß ÞÛÛÛÛÛÛÝ      ÛÛÛ
          ÜÛÜÜÜÛÜ  ÞÛÛÛ   ÛÛÜÞÛÛÛ    ÛÛÛÝÛÛÛßßÛÛÛ  ²ÛÛ²ßßß    ÜÛÜÜÜÛÜ
[rAD!s]  ÛÛÛßß ßßÜ  Û²ÛÝ  ÞÛÛÝÛÛÛÝ   Þ²Û Û²Û  Û²ÛÝÞÛÛÛÝÜÜ    Üßß ßßÛÛÛ
        ÛÛß         ÞÛ²ÛÛÜÛ²ÛÝÞÛ²ÛÛÜÛÛÛÝ ÛÛÛ  ÞÛÛÛ Û²ÛÛÛ²ÛÜ         ßÛÛ
       ²ÛÛÜ          ßÛÛÛ²ÛÛß  ßÛÛÛ²²Ûß ÞÛ²ÛÝ ÞÛ²ÝÞ²ÛÛ²ÛÛÛÛÝ        ܲ۲
       ß²²Û             ßßß       ßßß   ßßßßß ßßß ßßßßß             Û²Ûß
  ²Ý  Ü ßÛÝ                                                         ÞÛß Ü  Þ²
 ÞÝ  Û   ÛÝ   p r e s e n t   t h e   2 0 k - c o l l e c t i o n   ÞÛ   Û  ÞÝ
 ²  ²  þßß                                                           ßßþ  ²  ²
ÞÝ ÛÝ        Adobe Photoshop CS6 v13.0 Pre Release *INCL.KEYMAKER*        ÞÛ Þ
þ ÞÛ                                                                       ÛÝ þ
  ÛÝ                                                                       ÞÛ
 ÞÛ     Cracked by....:  tam/symmetry      Release-Name..:  CR-QYL01.ZIP    ÛÝ
 ÛÛ     Supplied......:  CORE              Release-Date..:  2011/10/16      ÛÛ
 ÛÛÝ    Packaged......:  CORE              Release-Type..:  Util            ÛÛ
 Û²Ý    Protection....:  Serial            OS............:  MacOSX         Þ²Û
 ÞÛÛ    Crack/SN......:  Keymaker          Language......:  English        ÛÛÝ
 ÞÛÛÝ   Rating........:  [You decide!]     Disks.........:  22             ÛÛÝ
  ÞÛÛ                                                                     ÛÛÝ
   Û²Û                                                                   Û²Û
    ÛÛÛ  ßÛÜ                         ÜßßßÜ                         ÜÛß  ÛÛÛ
     ÛÛÛÜ   ßÜ                ÜÛ²ßÜÜß     ßÜÜß²ÛÜ                Üß   ÜÛÛÛ
 þ    ßÛ²ÛÜÜ   ßßÜÜ        Üßß     ßÜ     Üß     ßßÜ        ÜÜßß   ÜÜÛ²Ûß    þ
  ßÜÜ   ßßÛÛÛÛÛÜ   ßÜ     Þ   ßÜÜ  Üß     ßÜ  ÜÜß         Üß   ÜÛÛÛÛÛßß   ÜÜß
    ßßÛÜÜÜ  ßÛ²ÛÛ   Û      ß    ßßÛÜ       ÜÛßß    ß      Û   ÛÛ²Ûß  ÜÜÜÛßß
     Ü  ßßÛÛß ßÛ  þß          Üßß Þ°²     ²°Ý ßßÜ          ßþ  Ûß ßÛÛßß  Ü
  Üþ             Ü Ü         ÞÝ    ±±Ý   Þ±±    ÞÝ         Ü Ü             þÜ
 ÛÝ      ß   ²ÜÜß   ßÜÜ       ßÜÜ ²²Û     Û²² ÜÜß       Üßß   ßÜܲ   ß      ÞÛ
Þ²ÛÜܱ   ÜÜÜÛÛß        ß       Üܲ²ß       ß²²ÜÜ       ß        ßÛÛÜÜÜ   ±ÜÜÛ²Ý
 ß²Û²ÛÛÛÛ²²Û                 ÜÛ²ß             ß²ÛÜ                Û²²ÛÛÛÛÛ²Û²ß
     ßßßßß                 °Ûß                   ßÛ°                ßßßßßßß
                          °Û ÜßßÜ             ÜßßÜ Û
                          ÞÝ°²ß ÞÝ           ÞÝ ß²°Þ
                           ßÜ  Üß             ßÜ  Üß
                             ßß                 ßß
                     Üþ                                 þÜ       ÜÜß Üß²Ü
     ܲßÜ ßÜÜ       ÛÝ      ß   ²ÜÜß       ßÜܲ   ß      ÞÛ   Üßß  ÜÜÜ   Û
    Û   ÜÜÜ  ßßÜ   Þ²ÛÜܱ   ÜÜÜÛÛß           ßÛÛÜÜÜ   ±ÜÜÛ²Ý ÞÝ  ܲ°  ßßÜÜ
    ÜÜßß  °²Ü  ÞÝ   ß²Û²ÛÛÛÛ²²Û                Û²²ÛÛÛÛÛ²Û²ß   ßÜ  ß  ß  Ü ßÜ
  Üß Ü  ß  ß  Üß        ßßßßß                    ßßßßßßß        ßß²°   Ûß  ÞÛ
 ÛÝ  ßÛ   °²ßß                                                       þß     ²Ý
Þ²     ßþ                     ..: DESCRiPTiON :..                           ²Ý
Û²                                                                          ²Û
Û²                                                                          ²Û
²     Adobe Photoshop CS6 software delivers breakthrough                    ²Û
²     capabilities for superior image selections, image retouching,         ²Û
²     realistic painting, and 3D extrusions. Experience 64-bit support      ²Û
²     for fast performance as well as dozens of time-savers throughout      ²Û
²     your workflow.                                                        ²Û
²                                                                           ²Û
²     http://www.adobe.com/products/photoshop/                              ²Û
Û²                                                                          ²Û
Þ²ÝÜ                                                                      ÜÞ²Ý
  ß°ß                                                                    ß°ß
þß                                                                          ßþ
 ßÜ          ÜÜ   Ü                                        Ü   ÜÜ          Üß
    ß Ü þ Üßß  ß ß±ß                                      ß±ß ß  ßßÜ þ Ü ß
          ÞÝ         ß Ü          Ü        Ü          Ü ß         ÞÝ
      ܲßÜ ßÜÜ           ßþ Ü  þß            ßþ  Ü þß           ÜÜß Üß²Ü
     Û   ÜÜÜ  ßßÜ                                            Üßß  ÜÜÜ   Û
     ÜÜßß  °²Ü  ÞÝ                                          ÞÝ  ܲ°  ßßÜÜ
  Üß Ü  ß  ß  Üß                                            ßÜ  ß  ß  Ü ßÜ
  ÛÝ  ßÛ   °²ßß         ..: iNSTALL/REGiSTER NOTES :..         ßß²°   Ûß  ÞÛ
 Þ²     ßþ                                                          þß     ²Ý
 Û²                                                                        ²Û
 Û²                                                                        ²Û
 ²    A few notes about this pre-release.  Serials will expire after ~1    ²Û
 ²    year, like all of Adobe pre-releases.  It also uses different        ²Û
 ²    server to verify activation so unless you have the server below      ²Û
 ²    blocked you'll want to use hosts file patch button again.  In this   ²Û
 ²    release it will only patch for pre-release server, not regular       ²Û
 ²    one. Enjoy!                                                          ²Û
 ²                                                                         ²Û
 ²    Add the following line to your hosts file located in                 ²Û
 ²    ./private/etc/hosts                                                  ²Û
 ²                                                                         ²Û
 ²    127.0.0.1 practivate.adobe.com                                       ²Û
 ²                                                                         ²Û
 Û²                                                                        ²Û
 Û²                                                                        ²Û
 Û²                                                                        ²Û
 Û²                          Thanks for choosing                           ²Û
 Û²               (C)hallenge (O)f (R)everse (E)ngineering!                ²Û
 Û²                                                                        ²Û
 Û²                                                                        ²Û
 ÞÛ²                                                                      ²ÛÝ
  ÞÛ²               Üþ                                  þÜ       ÜÜß Ü߲ܲÛÝ
     ßÜ ßÜÜ        ÛÝ      ß   ²ÜÜß        ßÜܲ   ß      ÞÛ   Üßß  ÜÜÜ
       ÜÜÜ  ßßÜ   Þ²ÛÜܱ   ÜÜÜÛÛß            ßÛÛÜÜÜ   ±ÜÜÛ²Ý ÞÝ  ܲ°  ßßÜÜ
   ÜÜßß  °²Ü  ÞÝ   ß²Û²ÛÛÛÛ²²Û                 Û²²ÛÛÛÛÛ²Û²ß   ßÜ  ß  ß  Ü ßÜ
 Üß Ü  ß  ß  Üß        ßßßßß                     ßßßßßßß        ßß²°   Ûß  ÞÛ
ÛÝ  ßÛ   °²ßß                                                        þß     ²Ý
    ÜÜ Ü                  ..: CORE NEWS AND iNFOS :..                 Ü ÜÜ
  ÜÛÛÛÛ ßÜ                                                          Üß ÛÛÛÛÜ
 ÞÛÛ²ÛÛÝ ÞÝ                                                        ÞÝ ÞÛÛ²ÛÛÝ
 ÛÛ²ÛÛÛ  Û       - not available -                                  Û  ÛÛÛ²ÛÛ
 Þ²Û²ÛÝ Üß                                                          ßÜ ÞÛ²Û²Ý
  Û²ÛÛ ÞÝ                                                            ÞÝ ÛÛ²Û
  ÞÛ²Ý  ßÜÜ                                                        ÜÜß  Þ²ÛÝ
   ÛÛÝ     ßÜ                                                    Üß     ÞÛÛ
    ßÛ      ÞÝ                                                  ÞÝ      Ûß
     ²    Üß                                                      ßÜ    ²
        ÜÛß                                                         ßÛÜ
      ÞÛÝ                                                             ÞÛÝ
     Þ²Ý                                                               Þ²Ý
     ÛÛ                 Ü  ßþ                    þß  Ü                  ÛÛ
    Þ²Ý                þ       ß                ß       þ               Þ²Ý
     ÛÛ  ÜÛßßÜÜ     Ü ß         ß              ß         ß Ü     ÜÜßßÛÜ  ÛÛ
    Þ²ÝÜßß     ßÛÜ ß²ß                                    ß²ß ÜÛß     ßßÜÞ²Ý
    ÛÛ            ß                                          ß            ÛÛ
   ÛÛÛ                                                                    ÛÛÛ
   ²ÛÛ                                                                    ÛÛ²
  ÞÛÛÝ                                                                    ÞÛÛÝ
  ²ÛÛ                                                                      ÛÛ²
  ÛÛ²                                                                      ²ÛÛ
  ²ÛÛ                                                                      Û²Û
  ÛÛÛ                                                                      ÛÛÛ
  ÛÛÛ                                                                      ÛÛÛ
   ÛÛ                                                                      ÛÛ
    ÞÝ                                                                    ÞÝ
     Û           ÜÜÜ                                        ÜÜÜ           Û
      Û       Üßß   ßßÜ   lAYOUt & hEADER bY. [rAD!s]    Üßß   ßßÜ       Û
       ßÜ     ßÜ       Û  nfO UPdATED ON [2011/01/01]   Û       Üß     Üß
         ßßÜÜÜ     ÜÜÜß  Ü    (c) C.O.R.E. 2 0 1 1    Ü  ßÜÜÜ     ÜÜÜßß
              ßßßßß                                          ßßßßß

The Panasonic GH2 turns out to be the currently best Video-DSLr out there, although it is not even a DSLR. The micro-four thirds sensor is much smaller than a full-frame sensor, but the video footage that this great camera produces is far superior to those from lets say the Canon EOS 5D MKII - no moires, no aliasing and a much better video codec: AVCHD. Besides the obvious facts, the GH2 gets hacked extensively: Vitaliy Kiselev first hacked the GH1 and after that the Panasonic GH2.

With the PTOOL firmware manipulation tool, you can get the following improvements, among many others:

- Change Video Bitrates
- Improved GOP patches.
- Improved MJPEG size patches.
- change the 30min recording restriction
- lots of other changes

Patching the firware was possible, after a GH2 Firmware update leaked.

Here is a short overview on what to do in 10 steps:

1) Get a Patch from the extensive patch repository.
2) Load the GH2 1.0E firmware
3) Check all necessary patches, Version increment must be always checked.
4) Save firmware. Just change last digit to any number you want. (e.g. GH2__V11.bin)
5) Copy firmware to root of SD card. Fully charge you battery. Do not even attempt to use AC coupler!
6) Power off your camera if it was on.
7) Power on camera. After this press (not hold) green play button.
8) You'll see hourglass and prompt to update.
9) Press down arrow and after this Menu/set.
10) Wait until upgrade will be completed.

happy modding!

A great bargain for m34 (Micro Four Thirds) users (Olympus, Panasonic, etc): the Fujian 35mm F1.7 CCTV TV lens +Mount for MFT m43 (Micro Four Thirds) which sells for $48,99 including free worldwide shipping. We just ordered two of them, so expect photo and video examples soon. In the meanwhile, you might want to take a look at some youtube example footage.

This CCTV Lens is a high quality lens with alloy casing. It is ideal for use in bars, shops, parking lots, houses and warehouse, etc. It gives you the widest field of view image avaialble with a C mount lens. This CCTV Camera Lens provides ultra clear vision for your camera. Incorporates advanced optical elements to ensure all-around sharpness and efficient light conductivity. Its iris can be manually adjusted according to available light levels.

Specifications Fujian 35mm F1.7 CCTV TV lens

Mount type: C mount
Focal length : 35mm
Aperture:F1.7-C
Iris/ Focus operation: manual
Angle of view: 13.8
Object distance: 30cm -infinite
Compatible with cameras including:
Panasonic: G1, GH1, GH2 GF1, G2, G10
Olympus: E-P1, EP-2, E-PL1 fits C Mount Movie Lens

C mount M4/3 Camera lens Adapter to EP1 EP2 GF1 GF2 GH1 GH2

With a C Mount Lens to Micro 4/3 Adapter you can use C Mount lenses on your MFT system. You can use this camera adapter ring in conjunction with the camera adapters to complete the connection to a digital camera supporting a filter thread.

Everyone's talking about the new iPhone 4S that was announced by Apple recently. But is there more to it than improved optics? Even if not, the camera is a huge improvement over the previous model: 1080p video recording, 8 Megapixel photo sensor, f/2.4 aperture.

Behind all the updates, the most interesting is HSDPA support. In countries such as Austria or Japan, where HSDPA is widespread, this is a very welcome hardware upgrade. Still, why is there no HSPA+ support? In cities with a weak broadband coverage (everything above a few MB upstream) - such as Vienna, this is really akward. We still have to fall back to the Samsung Galaxy S2 i9100, which offers HSPA+ among other great features. So the "only" killer feature of the Apple iPhone 4S remains the greatly improved Camera - which is to question, concerning the price of such a gadget. An Amazon Search for the iPhone 4S yields no results, obviously, since the device is said to be available from mid October.

Our recommendations: wait for the iPhone 5 and get some real gear instead.

1) Get a Canon PowerShot S100 for Photo and Video
2) Get a SONIM XP5300 3G FORCE if you need a phone that actually works.

The Redrock Micro LiveLens, Active Lens Mount for Canon EF Lenses currently sells for $495 on amazon, while the manufacturer has an introductory pricing at $442.50.

Redrock Micro's LiveLens MFT provides the required power and electronics to control Canon EF lenses when attached to a micro four-thirds camera body. With the LiveLens MFT's control touchpad, the EF lens' aperture can be open and closed in increments as small as 1/3 stop. The LiveLens MFT works with virtually every EF lens available today, including variable aperture zoom lenses, prime lenses, consumer-level lenses, professional L-series lenses and most third party EF-compatible lenses. A marvel of advanced design, the LiveLens MFT is incredibly compact and weighs less than 6oz. (via dpreview)

This is an information from our Partner, 5uper.net:

In Autumn of 2011 the Festival Coded Cultures takes place for the 4th time, this year focusing on the topic "City as Interface". Ever since the foundation of the Festival in 2004 lay the general emphasis on creative practices of cultural development on the intersections of art, technology, science and design. It is our concern to decode de- velopments, concepts and projects in those “coded” structures of digital and (new) media production, which won’t open up easily to broader audiences. Over the years the alignment of Coded Cultures and its variations were orientated internation- ally with the focus on eastern Europe in 2004, Brasil in the following years and Japan in 2009. This year, Coded Cultures involves mainly participants from Europe with prominent attendees such as transmediale from Berlin, Media Lab Prado from Madrid, Amber Festival from Istanbul and the Enter Festival from Prague.

BACKGROUND INFORMATION
CODED CULTURES was initiated by the group »5uper.net«: a network of producers, theorists, artists, designers, architects and programmers, which is active in the field of knowledge-work based on digital media related forms of art and culture. Recently, the Book "Coded Cultures: New Creative Practices Out of Diversity" published by Springer.

http://codedcultures.net
http://5uper.net
http://www.facebook.com/codedcultures
http://twitter.com/codedcultures
Coded Cultures: New Creative Practices Out of Diversity

Among the lenses, a reworked Rodenstock 50mm f/0.75 for Micro Four Thirds, that fits on your camera without the need of an adapter. The lens focuses from 3ft to infinity. Wide open, images are very soft but unlike C-mount lenses the circle covers the full m43 size. Here are some flickr examples.

What are currently recommended HDMI field recorders?

1. Black Magic Hyperdeck Shuttle (RAW Video)

* Product information page/ manufacturer: Black Magic Design
* Discussion on the Magic Lantern User Group: hyperdeck shuttle

Pro:

Very Cheap: ($339.99 in the USA, 299€ in Europe

Cons:

SSD drives NOT included, so you might need to calculate in some OCZ Vertex 3 SSDs in your budget

No Video Monitoring on the device itself. You might need to buy an external monitor, such as the Liliput external HDMI monitor (starting at $169 in the USA and 186€ in Europe)



2. Atomos Ninja - Portable HDMI Recorder (ProRes)

Pro:

Conclusion:
Unless you are super-rich and have tons of money to spend for Solid State Drives and a RAID Array, you should get the Atomos Ninja. Besides the actual device, you also get a monitoring solution and have a true portable device, that creates files usable with normal hard drives. Overall cost is much lower and there should not be a really visible difference from ProRes to RAW footage. If you are into Bokeh Porn, you might want to spend your money in the Black Magic Hyperdeck Shuttle.

Keep in mind, there are currently some issues with HDMI out an Magic Lantern: there is a video on the 5D MKII's 1080i out and also some discussions going on in the Magic Lantern Forums, because some processing needs to be done to get actual usable files. Actual resolutionis 12-19% less (depending how you do it) but still the results are awesome - especially in low light situations. Maybe we will get real clean HDMI out with the Canon EOS 5D MKIII.

Taking the rumors from canonrumors.com and some forum posts seriously for at least a bit, it seems that an announcement for a possible Canon EOS 5D MKIII is imminent.

Random Info via canonrumors:

• Canon Australia has sent CPS management to Singapore for product training. [CR2]
• Any Canon announcement will come after Nikon’s announcement on August 24, 2011. [CR2]
• 5D Mark III’s are in the wild and an announcement is imminent [CR1]
• 1D Mark IV’s are out of stock or hard to come by in certain countries. A retailer in New Zealand actually said they won’t be getting any more. [CR1]
• 1Ds Mark IV resolution correction, I’m told it will actually be 36mp.

Since I was planning on getting a 5D Mark II these days, I hope to see increasing price drops on the camera kits very soon - since there are already visible price drops around the globe. On Amazon.com the price for the Body still is $2499,00. Canon Australia already lowered the price for the premium KIT from $4899 AU$ to 4499AU$, so we can hope for price drops on the international market as well. On the German Amazon Marketplace, the currently cheapest price for the 5D MKII Body (new) is 1924,90 EUR, while the Premium KIT (EF 24-105mm L IS USM) is at 2619,99 (a light price drop is already visible).

Commenting on the current question, if it is still a good idea to buy a Canon 5D MKII: YES. Why? The Canon 5D MKII is a great camera and also there won't be any new Lenses coming up so fast (at least when we talk about EF 24-105mm L IS USM), so if you need one now, go and get one. Also, if you are in DSLR-Video, "Magic Lantern" is a great and stable system, which will not immediately run on the MKIII. Some people even suggests that there might be a 1000$ price difference (at least) for an upcoming 5D MKIII.

Conclusion:
Still the 5D Mark II is a good buy, when compared to the Canon EOS 7D, since an announcement for a Canon EOS 7D MKII won't be around the corner until end of 2011, if we believe the rumors. A 5d MKIII won't be available instantly after release, so one way or the other, before 2012 you won't be able to get your hands on a 5D MKIII - and if so, then for sure not for a reasonable price. The current price difference for the 5DMKII to the 7D is 700$ - if you are into DSLR Video, that's a clear GO for the 5DMKII.

[Update] Canon Rumors has a new Blog post "5D Mark III & The Rest [CR2]" which indicates, that there could be a 5D Mark III announced in October 2011

CODED CULTURES. Creative Practice out of Diversity

MO 4. April  2011, 19.00 Uhr

KUNSTHALLE WIEN - project space karlsplatz http://esel.io/termin/50759

Zur Präsentation sprechen: Christian Reder (Universität für angewandte Kunst Wien), Georg Russegger (Coded Cultures), Matthias Tarasiewicz und Michal Wlodkowski (5uper.net)

Eine Veranstaltung im Rahmen der Kooperation zwischen der Universität für angewandte Kunst Wien und der Kunsthalle Wien angewandte@project space mittwochs (www.dieangewandte.at)

http://j.mp/codedbook
http://codedcultures.org

A fresh book, discussing creative practices of the fields of media arts ("art with media" and "art through media") in europe and asia (mostly japan). To quote the official press statement: "International Authors from Europe and Asia explain the impact of codes and cultures on society". The book is available on Amazon EUROPE and the US Amazon site.

The short information is as follows:

"Through the transformations of creative cultures, enabled by digital media and global communication networks, new practices and ability profiles of artistic delineations and explorations are gaining grounds. New global codes and cultures are emerging out of diverse, intercultural abstractions and inventions, connected through new ways of exchanging ideas and sharing knowledge. At the present day it is difficult to predict which catalysts and draft programs can be put into effect for the development of near future playgrounds in this domain. By offering several perspective shifts on developments in digital realm and mediated reality, exemplary theories and projects on the intersection of different codes and cultures have been collected for this book. Presenting essays, reviews and interviews from international artists, theorists, researchers and curators, gives the reader an overview on new vectors of creative and artistic projects departed from digital media related art and cultures. It introduces new and critical models of observations on the intersection of disciplines like art, science, technology and design."

Coded Cultures. New Creative Practices out of Diversity (Georg Russegger)
Projects ... Project Worlds ... Project Cultures (Christian Reder)
Co-Evolutionary Anthropology of the Medial / CAM (Manfred Faßler)
Art is about the Future; Otherwise, Nothing (Hiroshi Yoshioka)
A Political Intervention in the Digital Realm (Marina Grzinić)
Assembling Art, Design, Technology and Media Culture: The Challenge of Japanese Device Art (Machiko Kusahara)
The Future of Creative Commodities in the Coded Cultures (Dominick Chen)
Coded Cultures Between New Media Art and Production Cultures (Matthias Tarasiewicz)
The Balance of my Wildness and my Intelligence was Way Off (David d’Heilly/Ujino Muneteru)
Mouseology—Ludic Interfaces—Zero Interfaces (Mathias Fuchs/exonemo)
Imaginary Agents—Flowers and the Common (Verina Gfader/BCL)
Ludic Chindogus as Erotic Toys— Pleasure, Play, and Politics Beyond Materialism (Margarete Jahrmann)
Urban Playgrounds, Alternate Games—on Urban Play, ARGs, and Psychogeography (Verena Kuni)
From Somebody’s Desire to Everyone’s Responsibility (Yukiko Shikata/UBERMORGEN.COM)

via fffff.at: "The 2nd edition of the SPEED SHOW presents again a wide selection of pop.net.art pieces and addresses various developments of performance related but still screen based art works. Most interaction and communication on the web bears it’s very own performance character. One could say Facebook is a huge mass performance piece. net.art in it’s classic form could be considered a performance by interactivity as well. In recent years artists from different fields work increasingly in a mix of performances and digital interventions. In some cases the screen itself, the beholder of the pixel is subject to fluctuations. In other works the performance is acted out by a hysterical mass or just by the code."

Thursday, 8th of July 2010, 19:00 – 22:00 h // Kaukas Handy Shop, Äussere Mariahilferstr. 178, Vienna (Map)

"Hit an Internet-cafe, rent all computers they have and run a show on them for one night. All art works of the participating artists need to be on-line (not necessarily public) and are shown in a typical browser with standard plug-ins. Performance and life pieces may also use pre-installed communication programs (instant messaging, VOIP, video chat etc). Custom software (except browser add-ons) or off-line files are not permitted. Any creative physical modification to Internet cafe itself is not allowed. The show is public and takes place during normal opening hours of the Internet cafe/shop. All visitors are welcome to join the opening, enjoy the art (and to check their email.)"

Participating artists will be:

- Margarete Jahrmann & Renate Christian

- JODI

- JK Keller

- Greg Leuch

- Michael Marcovici

- Will Moffat & Peter Burns

- monochrom

- Evan Roth

- Sakrowski

- Gordan Savicic

- Michael Schieben

- Georg Schütz

- Chris Sugrue

- Philipp Teister & Kim Asendorf

- UBERMORGEN.COM

- Jamie Wilkinson