4Nov/110

RED announces the Scarlet-X 4k Camera to compete the Canon C300 for DSLR film makers

Just as Canon announced the C300 DSLR Video Camera - RED, the company behind the legendary RED EPIC camera, announces the RED SCARLET-X with Canon EF or Arri PL mount: a 4K camera with a price starting below 10.000US$. While the Canon C300 is a 1080p camera that uses 4:2:2 sampling, (50 Mbps MPEG2) and captures a total of 3840x2160 pixels with its Super 35mm image sensor, the RED has other specs: 440Mbps RED REDCODE RAW format at 444 , 12fps at 5K, 25fps at true 4K, 30fps in 3K and 60fps in 2K.

credits go to @alexhallajian for an image of the RED Scarlet-X Camera. The Scarlet-X will retail for $9750, according to @fxguidelive, with a "full kit" chiming in at just under $14k. It's a bummer RED hasn't been able keep its website up to make a proper announcement. Hopefully the November 17th ship date for the PL mount version and the December 1st date for the Canon mount both go more smoothly. We've embedded RED's teaser trailer below, along with some pictures of the Scarlet-X.

Canon also announced a real 4k Camera to be available somewhere in the next year. So 2012 could become the real year of DSLR Video.

Here is the original press release from RED.COM
(via red.com/press):

RED STUDIOS HOLLYWOOD, Hollywood, Calif., November 3, 2011 – RED Digital Cinema has officially released its third industry-changing camera, the Scarlet-X. With burst modes up to 12 fps at full 5K resolution alongside 4K motion capture from 1-30 fps, the camera allows professional photographers and cinematographers to simultaneously capture motion footage and still content. Never miss a shot. Ever. Scarlet-X’s compact design, endless modularity and advanced feature set provide a future-proof solution catering to every shooter’s needs, leaving one-dimensional DSLRs and 1080p camcorders in its wake. Priced at under $10,000, Scarlet-X advances RED’s vision to democratize superlative cinema and professional photography.
Scarlet-X comes standard with a Canon EF or PL mount, which can be swapped easily using Scarlet-X’s interchangeable lens mount system. Panavision, Anamorphic, and Nikon lenses are also compatible with the camera, providing ultimate freedom when it comes to creative decision-making. The addition of HDRx reaches up to 18 stops of dynamic range, bringing digital images closer than ever to the natural perception of the human eye.
With the innate ability to capture 5K REDCODE RAW stills and true 4K motion footage, Scarlet-X produces visually lossless files that can easily be graded and finished. Combining all of the finest qualities of cinema and photography into one camera, Scarlet-X allows the customer to have the best of both worlds. Compromise nothing. Shoot everything.
“The future is dependent on those who push… not those who react,” said Jim Jannard, founder of RED Digital Cinema.
RED is now taking orders on RED.com for Scarlet-X.
Since delivering their first camera – the RED ONE – in 2007, RED Digital Cinema has jumped ahead of the pack over camera companies that had dominated the market for decades. Feature films shot with RED cameras such as the Academy Award-winning movie “The Social Network” and the more recent “Contagion” have contributed to a lineage of cinematic success. Since the 2011 introduction of DSMC (Digital Still & Motion Camera) technology, photography icons like Bruce Weber, Greg Williams and Inez + Vinoodh have used RED cameras to shoot covers and spreads for the some of the most influential fashion magazines in the world.
Follow the announcement at REDUSER.net/SCARLET.

[Update 20.11.2011] Philip Bloom posted a balanced take on the Scarlet. Worth a read.

Recommended reading on this topic: The Truth About 2K, 4K and The Future of Pixels

3Nov/110

Canon launches the C300 cinema camera: a competitor for Red Scarlet and Arri Alexa?

Canon recently unveiled its C300 cinema camera at Hollywood's Paramount Studios, in front of a huge crowd. Cameras such as the Arri Alexa and RED EPIC dominate the digital filmmaking world - the Canon C300 aims at people that are into professional DSLR Video and want to take a step further.

It will cost somewhere in the range of $20,000. It contains a Super 35mm CMOS sensor and delivers up to 4K resolution with the outfit's new "top-end" EF zoom lenses, which come in four flavors: two 14.5-60mm lenses and two 30-300mm. And the lenses keep on coming, with three EF prime lenses in 24mm, 50mm, and 85mm variations. That CMOS sensor offers 1920 x 1080 pixels for the reds and blues and 1920 x 2160 for greens.

Mobius - 1080p HQ from Vincent Laforet on Vimeo.

6Oct/110

Fujian 35mm F1.7 CCTV TV lens +Mount for MFT m43 (Micro Four Thirds) for $48,99

A great bargain for m34 (Micro Four Thirds) users (Olympus, Panasonic, etc): the Fujian 35mm F1.7 CCTV TV lens +Mount for MFT m43 (Micro Four Thirds) which sells for $48,99 including free worldwide shipping. We just ordered two of them, so expect photo and video examples soon. In the meanwhile, you might want to take a look at some youtube example footage.

This CCTV Lens is a high quality lens with alloy casing. It is ideal for use in bars, shops, parking lots, houses and warehouse, etc. It gives you the widest field of view image avaialble with a C mount lens. This CCTV Camera Lens provides ultra clear vision for your camera. Incorporates advanced optical elements to ensure all-around sharpness and efficient light conductivity. Its iris can be manually adjusted according to available light levels.

Specifications Fujian 35mm F1.7 CCTV TV lens

Mount type: C mount
Focal length : 35mm
Aperture:F1.7-C
Iris/ Focus operation: manual
Angle of view: 13.8
Object distance: 30cm -infinite
Compatible with cameras including:
Panasonic: G1, GH1, GH2 GF1, G2, G10
Olympus: E-P1, EP-2, E-PL1 fits C Mount Movie Lens

C mount M4/3 Camera lens Adapter to EP1 EP2 GF1 GF2 GH1 GH2

With a C Mount Lens to Micro 4/3 Adapter you can use C Mount lenses on your MFT system. You can use this camera adapter ring in conjunction with the camera adapters to complete the connection to a digital camera supporting a filter thread.

5Oct/110

New Apple iPhone 4S – mainly lens improvements, but: great optics indeed! (plus: Siri A.I.)

Everyone's talking about the new iPhone 4S that was announced by Apple recently. But is there more to it than improved optics? Even if not, the camera is a huge improvement over the previous model: 1080p video recording, 8 Megapixel photo sensor, f/2.4 aperture.

Behind all the updates, the most interesting is HSDPA support. In countries such as Austria or Japan, where HSDPA is widespread, this is a very welcome hardware upgrade. Still, why is there no HSPA+ support? In cities with a weak broadband coverage (everything above a few MB upstream) - such as Vienna, this is really akward. We still have to fall back to the Samsung Galaxy S2 i9100, which offers HSPA+ among other great features. So the "only" killer feature of the Apple iPhone 4S remains the greatly improved Camera - which is to question, concerning the price of such a gadget. An Amazon Search for the iPhone 4S yields no results, obviously, since the device is said to be available from mid October.

Our recommendations: wait for the iPhone 5 and get some real gear instead.

1) Get a Canon PowerShot S100 for Photo and Video
2) Get a SONIM XP5300 3G FORCE if you need a phone that actually works.

30Sep/110

Redrock Micro creates Canon EF to Micro Four Thirds adapter with aperture control


Redrock Micro has created a Canon EF to Micro Four Thirds lens adapter which adds the electronics required to control the aperture on the mounted EOS lenses - 9V battery and a touch-panel allows the adapter to specify the lens aperture in 1/3EV steps. The adapter (LiveLens MFT) costs $442.50 and is available directly from the manufacturer's website.

The Redrock Micro LiveLens, Active Lens Mount for Canon EF Lenses currently sells for $495 on amazon, while the manufacturer has an introductory pricing at $442.50.

Redrock Micro's LiveLens MFT provides the required power and electronics to control Canon EF lenses when attached to a micro four-thirds camera body. With the LiveLens MFT's control touchpad, the EF lens' aperture can be open and closed in increments as small as 1/3 stop. The LiveLens MFT works with virtually every EF lens available today, including variable aperture zoom lenses, prime lenses, consumer-level lenses, professional L-series lenses and most third party EF-compatible lenses. A marvel of advanced design, the LiveLens MFT is incredibly compact and weighs less than 6oz. (via dpreview)

30Aug/110

Reworked Camera Lenses for Canon EOS, Nikon, Leica M, Sony NEX, Kodak and Micro Four Thirds!

The eBay reseller jieying-usa ist selling custom reworks of lenses for Micro Four Thirds,Canon EOS, Nikon, Leica M, Sony NEX, Kodak and others.

Among the lenses, a reworked Rodenstock 50mm f/0.75 for Micro Four Thirds, that fits on your camera without the need of an adapter. The lens focuses from 3ft to infinity. Wide open, images are very soft but unlike C-mount lenses the circle covers the full m43 size. Here are some flickr examples.

Rodenstock50  1

19Aug/110

RAW Video for DSLR with Magic Lantern and Black Magic Hyperdeck Shuttle (vs. Atomos Ninja): 5D MKII, 550D, Rebels

SLR Film making got even more exciting: with the availability of HDMI recorders, RAW Video footage can be recorded to get the maximum out of your Canon 5D MKII or other camera compatible with Magic Lantern. Standard Firmware does not output a "clean" HDMI signal, at least not for Canon cameras; the Panasonic GH2 produces a clean HDMI output, as noted by Philip Bloom (!).

What are currently recommended HDMI field recorders?

1. Black Magic Hyperdeck Shuttle (RAW Video)

Black Magic Design Hyperdeck Shuttle

* Product information page/ manufacturer: Black Magic Design
* Discussion on the Magic Lantern User Group: hyperdeck shuttle

Pro:

  • Very Cheap: ($339.99 in the USA, 299€ in Europe
  • Records UNCOMPRESSED (!) RAW Footage from HDMI Out.
  • Cons:

  • Expensive in usage: 15 minutes uncompressed (1.6 GB/s) = 180GB
  • SSD drives NOT included, so you might need to calculate in some OCZ Vertex 3 SSDs in your budget
  • No Video Monitoring on the device itself. You might need to buy an external monitor, such as the Liliput external HDMI monitor (starting at $169 in the USA and 186€ in Europe)



    2. Atomos Ninja - Portable HDMI Recorder (ProRes)
    Atomos Ninja HDMI Recorder for almost RAW Video (Apple ProRes)

    Pro:

  • Smaller files, since it is no real RAW footage but Apple ProRes: 6 hours ProRes 422 (HQ) (220 MB/s) (16.5 Hours with 750GB Disks)

  • Monitoring included! 4.3” diagonal, 480x270 resolution
  • Cheap usage, since Hard Drives can be used! (though, the initial price is higher:
  • Less storage space needed
  • Supports two Hard Drives or SSD-Disks.
  • Firewire 800, USB-2 and USB-3
  • Continous Battery: two power cells to guarantee uninterrupted usage

    Cons:

  • Apple ProRes and no real RAW footage (this can be a good thing, as you are saving tons of money and storage space)
  • No ProRes for Windows users yet; Apple users might need to get Final Cut, since Apple ProRes is included in FCP Studio


  • Conclusion:
    Unless you are super-rich and have tons of money to spend for Solid State Drives and a RAID Array, you should get the Atomos Ninja. Besides the actual device, you also get a monitoring solution and have a true portable device, that creates files usable with normal hard drives. Overall cost is much lower and there should not be a really visible difference from ProRes to RAW footage. If you are into Bokeh Porn, you might want to spend your money in the Black Magic Hyperdeck Shuttle.

    Keep in mind, there are currently some issues with HDMI out an Magic Lantern: there is a video on the 5D MKII's 1080i out and also some discussions going on in the Magic Lantern Forums, because some processing needs to be done to get actual usable files. Actual resolutionis 12-19% less (depending how you do it) but still the results are awesome - especially in low light situations. Maybe we will get real clean HDMI out with the Canon EOS 5D MKIII.

    7Aug/111

    Canon 5D MKIII (MK3) Announcement Imminent?

    Canon EOS 5D MKII MK3

    Taking the rumors from canonrumors.com and some forum posts seriously for at least a bit, it seems that an announcement for a possible Canon EOS 5D MKIII is imminent.

    Random Info via canonrumors:

    • Canon Australia has sent CPS management to Singapore for product training. [CR2]
    • Any Canon announcement will come after Nikon’s announcement on August 24, 2011. [CR2]
    • 5D Mark III’s are in the wild and an announcement is imminent [CR1]
    • 1D Mark IV’s are out of stock or hard to come by in certain countries. A retailer in New Zealand actually said they won’t be getting any more. [CR1]
    • 1Ds Mark IV resolution correction, I’m told it will actually be 36mp.

    Since I was planning on getting a 5D Mark II these days, I hope to see increasing price drops on the camera kits very soon - since there are already visible price drops around the globe. On Amazon.com the price for the Body still is $2499,00. Canon Australia already lowered the price for the premium KIT from $4899 AU$ to 4499AU$, so we can hope for price drops on the international market as well. On the German Amazon Marketplace, the currently cheapest price for the 5D MKII Body (new) is 1924,90 EUR, while the Premium KIT (EF 24-105mm L IS USM) is at 2619,99 (a light price drop is already visible).

    Commenting on the current question, if it is still a good idea to buy a Canon 5D MKII: YES. Why? The Canon 5D MKII is a great camera and also there won't be any new Lenses coming up so fast (at least when we talk about EF 24-105mm L IS USM), so if you need one now, go and get one. Also, if you are in DSLR-Video, "Magic Lantern" is a great and stable system, which will not immediately run on the MKIII. Some people even suggests that there might be a 1000$ price difference (at least) for an upcoming 5D MKIII.

    Conclusion:
    Still the 5D Mark II is a good buy, when compared to the Canon EOS 7D, since an announcement for a Canon EOS 7D MKII won't be around the corner until end of 2011, if we believe the rumors. A 5d MKIII won't be available instantly after release, so one way or the other, before 2012 you won't be able to get your hands on a 5D MKIII - and if so, then for sure not for a reasonable price. The current price difference for the 5DMKII to the 7D is 700$ - if you are into DSLR Video, that's a clear GO for the 5DMKII.

    [Update] Canon Rumors has a new Blog post "5D Mark III & The Rest [CR2]" which indicates, that there could be a 5D Mark III announced in October 2011

    27Feb/110

    Coded Cultures: Creative Practices out of Diversity (Springer Wien/ New York Edition Angewandte)

    Coded Cultures: New Creative Practices out of Diversity (Edition Angewandte)

    A fresh book, discussing creative practices of the fields of media arts ("art with media" and "art through media") in europe and asia (mostly japan). To quote the official press statement: "International Authors from Europe and Asia explain the impact of codes and cultures on society". The book is available on Amazon EUROPE and the US Amazon site.

    7Jul/100

    SPEED SHOW vol.2: who the fuck do you think you are talking to? Thursday, 8th of July 2010, 19:00 – 22:00 h, Vienna, Austria

     

     

     

    SPEED SHOW vol.2: who the fuck do you think you are talking to?

     

    via fffff.at: "The 2nd edition of the SPEED SHOW presents again a wide selection of pop.net.art pieces and addresses various developments of performance related but still screen based art works. Most interaction and communication on the web bears it’s very own performance character. One could say Facebook is a huge mass performance piece. net.art in it’s classic form could be considered a performance by interactivity as well. In recent years artists from different fields work increasingly in a mix of performances and digital interventions. In some cases the screen itself, the beholder of the pixel is subject to fluctuations. In other works the performance is acted out by a hysterical mass or just by the code."

    Thursday, 8th of July 2010, 19:00 – 22:00 h // Kaukas Handy Shop, Äussere Mariahilferstr. 178, Vienna (Map)